A900 Press Release

SAN DIEGO, Sept. 9, 2008
SONY UNVEILS FIRST FULL-FRAME ALPHA DSLR MODEL

Sony is introducing its full-frame α (alpha) DSLR-A900 camera, aimed at serious photo enthusiasts looking for traditional SLR performance with the added benefits of digital photography.


It is designed to deliver ultra-fine picture quality with the world's highest resolution, 24.6MP, 35mm full-frame CMOS sensor, and fast image processing with a new dual BIONZ processing engines. The camera is also the first to have a body-integrated image stabilization system for a full-frame sensor with Sony's SteadyShot Inside anti-shake system.

One look at the camera's distinctive pentaprism and nostalgic body design will evoke its full-frame optical performance. It features a bright, clear optical viewfinder with 100% field of view coverage that would impress even film photography loyalists.

"The α (alpha) DSLR-A900 introduction solidifies Sony's position as a leading camera manufacturer that can meet the demands of serious enthusiasts," said Phil Lubell, director of digital camera marketing at Sony Electronics. "It represents the best in sensor and image processing technologies and offers enhanced functions, performance, and reliability so photographers can push their creativity to the limit."

Ultra-Fine Images As the Human Eye Perceives Them

The camera's Exmor CMOS sensor delivers the photographic expressive power of wide angles and perspective that only a 35mm full-frame sensor can offer, and is designed to take advantage of the resolving power of high-precision α (alpha) lenses. Its high pixel count and large size provide enhanced image detail and a wider dynamic range for natural color reproduction and subtle tonal gradations.

The sensor is produced using proprietary Sony planarization technologies to ensure an ultra-flat surface across the entire imaging area. Instead of a single analog/digital convertor, the sensor uses over 6,000 on-chip, column-parallel A/D converters to convert analog signals to noise-resistant digital signals at the earliest possible stage. The result is reduced noise and high-speed transfer of data.

Image processing gets a boost in speed and power from the application of two BIONZ image processing engines. Large amounts of data captured by the 24.6MP sensor can be quickly processed to achieve a fast shooting response. Additionally, this dual BIONZ processing system applies advanced noise reduction algorithms producing images of exceptional quality and detail, especially at high ISO sensitivities.

World's First Anti-Shake System for a Full-Frame Sensor

The camera's newly developed, body-integrated SteadyShot Inside unit achieves an anti-shake effect equivalent to shutter speeds faster by 2.5 to 4 stops. This new unit provides stabilization for Sony, Minolta and Konica-Minolta wide-angle, large-aperture lenses, which is difficult for lens-integrated systems.

State-of-the-Art Optical Performance and Responsiveness

The ultra-bright viewfinder with 100% field of view coverage and 0.74x magnification enables accurate framing and preview. It features a high-power condenser lens, an eyepiece with high reflective-index glass, and a multi-layer, anti-reflective coating on every optical surface to deliver its extraordinarily bright and accurate view. Additionally, the focusing screen is user-replaceable, with additional L-type (grid pattern) and M-type (super spherical acute matte) screens sold separately.

The camera's newly developed autofocus system consists of nine wide-area sensors with 10 assist points for improved tracking of moving subjects. A center dual cross sensor comprised of two horizontal and two vertical line sensors as well as a dedicated f/2.8 sensor are included to achieve greater precision, especially when using fast-aperture lenses.

It also offers high-speed continuous shooting of 24.6MP images at five frames per second. A newly designed mirror box features a unique parallel-link mirror mechanism that moves on two horizontal axes to accommodate both 100% viewfinder coverage and the body-integrated image stabilization system without increasing the camera's size. The mirror box also has a new moving magnet actuator, a high-powered coreless motor for a faster shutter charge, and a magnet catcher to minimize mirror bounce and light refraction within the box.

Versatility to Unleash Creative Possibilities

The model's innovative intelligent preview function takes the guesswork out of setting up a shot and the hassle of taking multiple shots to achieve a desired effect.


After pressing the depth of field preview button, the camera "grabs" a RAW preview image, which is processed and displayed on the LCD screen. You can then fine tune white balance, determine the best level and effect of dynamic range optimization, adjust exposure compensation, and check histogram data, all before you actually take the picture. Preview images are not recorded on the camera's memory card, thus saving capacity.

Other key features aimed to expand creative options include the Dynamic Range Optimizer (DRO) with five levels of user-selectable correction as well as DRO bracketing for enhanced scene analysis and graduation optimization. EV bracketing with ±2EV range makes it easy to create high dynamic range composite images.

Thirteen creative styles can be selected to enhance images and then fine-tuned by customizing contrast, sharpness, zone matching and other parameters, while three user-programmable memories provide instant access to as many as 26 different mode settings.

Powerful RAW file processing control is put in the photographer's hands with the included Image Data Converter SR3 software that delivers faster file processing speeds, easy adjustment of image parameters, Dynamic Range Optimization, and a new Peripheral Illumination function that compensates for corner light fall off.

With the camera's HDMI output and Photo TV HD mode, your creative output can be enjoyed on a compatible HD television. This mode brings the look of actual printed photography to the television, by fine-tuning such image parameters as sharpness, gradation, and color.

Comfort in Your Hands

Its construction features rugged, lightweight magnesium alloy with moisture-resistant, rubber seals for buttons and dials, an anti-static coating to prevent dust adherence to the imager, and a high-endurance shutter rated for more than 100,000 release cycles.

It has a 3-inch, Xtra Fine LCD screen (921K) that makes it possible to check focus and image quality with accuracy. It incorporates an easy-to-see display with a quick navigation menu to easily access common functions without interrupting your creative flow. A backlit LCD panel sits on top of the camera and displays key settings.

System Expansion with New Accessories


The A900 camera will be accompanied with an array of accessories like the recently-announced Sony HVL-F58AM flash unit with its innovative Quick Shift Bounce system, powerful performance with a guide number of 58, and wireless auto flash ratio control.


The Sony VG-C90AM vertical grip offers the same ease of operation when shooting vertically as horizontally, with its button layout and low-position shutter-release button. It also houses two InfoLITHIUM batteries (sold separately) for longer shooting and playback.

The DSLR-A900 body will be available in November for about $3,000 along with related accessories. All will be available at authorized dealers, at military base exchanges, Sony Style retail stores, and at sonystyle.com. Online pre-orders began on Sept. 10.

Full-Frame, 24.6MP, and SteadyShot Integrated IS A900 Specifications
Comments Locked

53 Comments

View All Comments

  • chiew - Sunday, September 14, 2008 - link

    If all you want is 24mp...

    Nikon's D700 is priced equivalently, doesn't have the 24mp...but it has more ISO range and a pro AF system. I don't see why you're crying.
  • Lord 666 - Friday, September 12, 2008 - link

    More than likely same MP in sensor, but same or better outstanding ISO performance as D3.

    I've never held a Sony DSLR yet, but question the build quality. Additionally, I find it interesting that when other camera companies market their cameras, they almost always exclusively show the pics taken with them, but no cameras inside those pictures as subjects. Sony on the other hand releases pictures "in the wild" of people using the camera almost as models. Check out http://www.dailytech.com/article.aspx?newsid=12902">http://www.dailytech.com/article.aspx?newsid=12902
  • Wesley Fink - Friday, September 12, 2008 - link

    Sony announced the A900 with both studio setups surrounded with 2x3 feet enlargements of images taken with the A900. The brochure for the A900 is around 8x12" and filled with double page photos(12x16 inches). Both studio setups were tethered to huge Bravia HD TVs. The photographers in both settings were shooting, displaying on screen and doing 6.5x zooms to show detail. A large number of A900 cameras were available for us to shoot both scenes.

    In the Sony A900 launch event the emphasis was clearly on images captured with the the A900. As for build quality you should examine an A900 to answer your questions about build quality. Feel and Build Quality certainly appear superb. I also own a D3 and D700 and the Sony A900 belongs in that league IMHO.
  • Lord 666 - Friday, September 12, 2008 - link

    So you have finally come over to the Nikon side with those investments in the D3 and D700? Don't you also have/had a D300?
  • Wesley Fink - Friday, September 12, 2008 - link

    I sold my D300 and all my DX lenses when I went for the D3/D700, and I particularly like the size, capabilities. and value of the D700. I also own other cameras and have some lenses for every system we review since they are needed for testing.

    My main APS-C since the exit of the D300 is the Sony A700 which is the same sensor and LCD as the D300, but obviously not the same electronics/post processing as the Nikon. Sony has continued to improve their post-processing and finally have the option to turn off NR completely in RAW with firmware 4. JPEGs are also further improved in 4. THe A700 is very nice with the in-body IS that works with lenses like the Tamron 18-250mm (or Sony 18-250mm), which is a really terrific lens for when I need small and compact.

    I am also testing a Sony A200 right now, which at less than $500 for camera with body IS and 18-70mm kit lens is looking like a heck of a buy.
  • davidaspart - Friday, September 12, 2008 - link

    "Same Pricey Battery- The same proprietary NP-FM500H battery used in the A700, A350, A300, and A200 is also used in the A900. Great consistency, but you can still only buy it from Sony and you will still pay $55 to $95 for a spare. Sony insists on pimping their battery manufacturing even if their stubborn insistence on a proprietary battery drives some users away in a market where they need to win new users."

    Oh come on!

    Thats like saying someone who buys a Ferrari worries that it takes premium fuel.

    The camera costs $3000!

  • Koing - Friday, September 12, 2008 - link

    Indeed. How much are OEM Canon cameras?

    If you drop $3000 on a camera and $500 on a flash $100 for a battery isn't a big deal...

    The MS is a Sony thing...

    Koing
  • Wesley Fink - Friday, September 12, 2008 - link

    The less than $500 A200 kit uses the same battery as the A900, which is great consistency. Frankly so did the A100, but you could buy generic A100 batteries if you chose for less than $8. When Sony introduced the A700 they added a groove to the center of the battery so A100 batteries would no longer fit and apparently patent4ed the revised design. In fact A100 chargers still work just fine with the new Sony A700/A900/A350/A300/A200 battery.

    Many would definitely stick with the manufacturer's battery, but my complaint is about choice. I can choose which battery with Canon, Nikon, Pentax and Olympus batteries as generic options are readily available. You can not choose another battery with any of the new Sony cameras. Sony is a huge battery maker and they have locked up choice. You are forced to buy the Sony overpriced battery as there are no other choices in the market.

    As an aside Sony STILL will not allow the use of AA batteries in their grips. Many like the versatility of using rechargeable AAs to power their grips instead and other companies include the AA insert or offer it as an option. There is also the issue of flexibility. If you get caught with a dead proprietary battery in the field it is reassuring to know you can continue shooting with AAs that are readily available anywhere - but that is not an option with Sony DSLR cameras.
  • KorruptioN - Friday, September 12, 2008 - link

    I've mentioned this before - the battery incorporates InfoLithium technology which relays exact info in terms of a percentage remaining, instead of a graphic battery meter with five different levels. This feature is fantastic and is worth the money (to me).

    Serious question now, does Nikon's battery in the D300/D700/D3 relay that same percentage info even if you get a generic battery? I know that you have to dive deep into a menu to get that information.
  • Wesley Fink - Friday, September 12, 2008 - link

    The D300/D700 use the same EN-EL3e battery as the D80, which does not provide a percentage. With optional accessories you can add the BL-4(a) high capcity battery to the MB-D10 battery grip and it does indeed report the percentage - at least when charging and on the D3. That battery though is 2500mAh and not the lower capacity 16500mAh of the Sony battery.

    Generics for the EN-EL3e used in the D700 and D300 generally perform the same and there are many with higher capacity and longer life. The EN-EL4(a) used in the D3 and D2x is tougher for finding generic replacements. Some I have seen do work but it is much more a question mark than the 3e and the generics generally don't report percent.

    The Sony NP-FM500H charges just fine to 100% in the old chargers for the A100, but the groove prevents them fitting in any of this generation Sony cameras. The Info-Lithium is useful to me but it is not worth the 700% to 1200% premium to me that Sony charges for the FM500H compared the generics. I appreciate that it is worth it to you, but I would prefer to be able to use some of the 2000mAh batteries I used with the A100.

Log in

Don't have an account? Sign up now