The iPhone 12 & 12 Pro Review: New Design and Diminishing Returns

Video Recording

Video recording on the new iPhone 12 series is defined by the addition of real HDR format recording, meaning 10-bit profile within a new Dolby Vision format. Apple’s choice to go with Dolby Vision a forward-thinking one that’s certainly going to pay off in the future, however unless you have a recent compatible TV or lucky enough to feature a monitor capable of displaying the format, the playback experience on devices other than iPhones is going to be quite limited.

Video capture quality is quite excellent this generation as well, although I have a hard time to really differentiate things from the iPhone 11 series. Dynamic range of the shots is still quite good, however there’s still some key characteristics such as the jittering EIS that are still present, or the occasional pulsating exposure of certain objects in the scene, something that’s possibly related to the dual-exposure of every frame when video-recording.

At 4K30, the phone is able to take advantage of all the camera modules and allows you to switch around between the units during recording. When recording in 4K60, it’s no longer possible to switch from the main and telephoto module to the ultra-wide unit. If you start recording on the ultra-wide unit, you’re limited to this module and any zooming in will be digital.

Focusing is generally flawless on the main camera, although it’s noticeable in video that the ultra-wide angle module is of a fixed focus design, so you won’t be able to focus as near in some situations.