E-520 Full Specifications

Olympus E-520 Specifications
Product type Single-lens reflex Live View digital camera with interchangeable lens system
Memory CompactFlash Type I/II, Microdrive, xD-Picture Card (Dual-Slot)
Sensor Size 17.3 mm (H) x 13.0 mm (V)
Lens mount Four Thirds Mount
Sensor
Number of effective pixels 10 million pixels
Image Pickup type Live MOS Sensor
Total pixels Approx. 11.8 million pixels
Aspect ratio 1.33 (4:3)
Filter array Primary color filter (RGB)
LPF Fixed type
IR cut filter Hybrid type
Dust reduction Supersonic Wave Filter (dust-reduction system for image sensor)
File Format
Recording format DCF, DPOF compatible/Exif, PRINT Image Matching III
File format RAW (12-bit), JPEG, RAW+JPEG
Recording image size [RAW] 3648 x 2736 pixels
[JPEG] 3648 x 2736 pixels - 640 x 480 pixels
File size RAW: 3648 x 2736 compressed Approx. 11MB
Large: 3648 x 2736 Super fine (1/2.7 compressed) Approx. 6.8MB
3648 x 2736 Fine (1/4 compressed) Approx. 4.7MB
3648 x 2736 Normal (1/8 compressed) Approx. 2.2MB
3648 x 2736 Basic (1/12 compressed) Approx. 1.5MB
Middle 3200 x 2400 Super fine (1/2.7 compressed) Approx. 5.3MB
3200 x 2400 Fine (1/4 compressed) Approx. 3.7MB
3200 x 2400 Normal (1/8 compressed) Approx. 1.7MB
3200 x 2400 Basic (1/12 compressed) Approx. 1.1MB
2560 x 1920 Super fine (1/2.7 compressed) Approx. 3.6MB
2560 x 1920 Fine (1/4 compressed) Approx. 2.2MB
2560 x 1920 Normal (1/8 compressed) Approx. 1.1MB
2560 x 1920 Basic (1/12 compressed) Approx. 0.7MB
Small 1600 x 1200 Super fine (1/2.7 compressed) Approx. 1.3MB
1600 x 1200 Fine (1/4 compressed) Approx. 0.8MB
1600 x 1200 Normal (1/8 compressed) Approx. 0.5MB
1600 x 1200 Basic (1/12 compressed) Approx. 0.3MB
1280 x 960 Super fine (1/2.7 compressed) Approx. 0.8MB
1280 x 960 Fine (1/4 compressed) Approx. 0.5MB
1280 x 960 Normal (1/8 compressed) Approx. 0.3MB
1280 x 960 Basic (1/12 compressed) Approx. 0.2MB
1024 x 768 Super fine (1/2.7 compressed) Approx. 0.5MB
1024 x 768 Fine (1/4 compressed) Approx. 0.4MB
1024 x 768 Normal (1/8 compressed) Approx. 0.2MB
1024 x 768 Basic (1/12 compressed) Approx. 0.1MB
640 x 480 Super fine (1/2.7 compressed) Approx. 0.2MB
640 x 480 Fine (1/4 compressed) Approx. 0.2MB
640 x 480 Normal (1/8 compressed) Approx. 0.1MB
640 x 480 Basic (1/12 compressed) Approx. 0.1MB
Viewfinder
Viewfinder type Eye-level single-lens reflex viewfinder
Field of view Approx. 95%
Viewfinder magnification Approx.0.92x (-1m-1, 50mm lens, infinity)
Eye point Approx. 14 mm (-1m-1)
Diopter adjustment range -3.0 - +1m-1
Focusing screen Fixed (Neo Lumi-Micro Mat screen)
Eyepiece shutter Eyepiece cap EP-4 supplied
Eye cup Interchangeable type. EP-5 supplied. Optional EP-6, EP-7, Magnifier eyecup ME-1 available.
Preview Can be checked (when FN button is set in preview mode), selectable from the optical viewfinder or rear-mounted LCD monitor
Viewfinder information Aperture value, Shutter speed, Record mode, AF confirmation mark, Flash, WB, AE lock, Number of storable still images, Exposure compensation value, Metering mode, Battery warning, Exposure mode, AF frame (super impose). IS activating mode.
Live View Live MOS Sensor for still picture shooting is used, 100% field of view, Exposure adjustment preview, White balance adjustment preview, Gradation setting preview, Face detection preview, Perfect Shot preview, Grid line displayable, 7x/10x magnification possible, MF/S-AF, AF frame display, AF point display, Shooting information, Histogram, IS Activating mode.
Image Stabilizations
Image Stabilize System Built-in (Imager shift image stabilizer)
Mode 3 modes (2-dimensional activation (Horizontal + Vertical), 1-dimensional activation (Vertical), 1-dimensional activation (Horizontal)
Effective compensation range Up to 4 EV steps maximum
LCD
LCD type HyperCrystal II LCD (semi-transmissive TFT color LCD)
Size 2.7 inches
Total no. of pixels Approx. 230, 000 pixels
Playback field of view 100%
Brightness control 15 levels
Color balance 15 levels
Autofocus
AF High-speed imager AF, Phase difference detection AF
AF system TTL phase difference detection system, contrast detection system (with 25mm f2.8, 14-42mm f3.5-5.6, 40-150mm f4.0-5.6)
Focus mode Single AF (S-AF) / Continuous AF (C-AF)* / Manual Focus (MF) / S-AF + MF / C-AF + MF
*C-AF mode is not available with the contrast detection system
Focusing point 3-point multiple AF with the phase difference detection system (Auto, selectable in option)
11-point multiple AF with the contrast detection system (Auto, selectable in option)
Focusing point selection Auto/Option selectable
AF luminance range (phase difference detection system) EV 0 to 19 (at 20C, ISO 100)
AF illuminator (phase difference detection system) Built-in flash (on/off selectable), external flash available.
AF lock Locked at first position of Shutter button in Single AF mode / AEL button (customizable)
Focus tracking (phase difference detection system) Interlocked with Continuous AF mode
Focus aid Available
Metering and Exposure
Metering system TTL open-aperture metering system
(1) Digital ESP metering (49-point multipattern metering); (2) Center-weighted average metering; (3) Spot metering (approx. 2% of the viewfinder screen); (4) Spot with Highlight control; (5) Spot with Shadow control
Metering range EV 1 - 20 (Digital ESP metering, Center-weighted average metering, Spot metering) (At normal temperature, 50mm f2, ISO 100)
Exposure mode (1) Auto; (2) P: Program AE (Program shift can be performed); (3) A: Aperture priority AE; (4) S: Shutter priority AE; (5) M: Manual; (6) Scene program AE; (7) Scene select AE
Scene program AE Portrait, Landscape, Macro, Sport, Night + Portrait
Scene select AE Portrait, Landscape, Landscape + Portrait, Night Scene, Night + Portrait, Children, Sport, High Key, Low Key, Digital Image Stabilization, Macro, Nature Macro, Candle, Sunset, Fireworks, Documents, Panorama (requires Olympus xD-Picture Card media), Beach & Snow, Underwater Wide, Underwater Macro
ISO sensitivity AUTO (ISO 100 - 1600) / Manual (ISO 100 - 1600), 1 EV steps
Exposure compensation +/-5 EV in 1/3, 1/2, 1 EV steps selectable
AE lock Locked by first position of Shutter button / AEL button (customizable)
Exposure bracketing 3 frames in 1/3, 1/2, 2/3, 1 EV steps selectable
White Balance
Auto WB system Advanced detection system with Live MOS sensor
Preset white balance 8 settings (3000K - 7500K): Lamp (3000K), Fluorescent 1 (4000K), Fluorescent 2 (4500K), Fluorescent 3 (6600K), Daylight (5300K), Cloudy (6000K), Shade (7500K)
White balance compensation +/-7 steps in each A-B/G-M axis (in Auto WB/Preset WB mode)
Custom white balance 1 temperature setting can be registered in degrees Kelvin (2000K - 14000K)
One-touch white balance 1 custom setting can be registered
Color
Color matrix sRGB, Adobe RGB
Picture Modes Vivid, Natural (default setting), Muted, Portrait, Monotone, Custom
Adjustment parameter Contrast, Sharpness and Saturation level available in 5 steps for Vivid, Natural, Muted and Portrait; Contrast and Sharpness level available in 5 steps for Monotone
Filter effect Yellow, Orange, Red or Green filter available for Monotone
Picture tone Sepia, Blue, Purple or Green tone available for Monotone
Gradation 4 levels (Auto, high key, normal, low key)
Shutter
Shutter type Computerized focal-plane shutter
Shutter speed Auto mode: 2 - 1/4000 sec. (depends on settings), P(Ps), S, A, M mode: 60 - 1/4000 sec. (Bulb: up to 30 min. with limiter), Scene program/Scene select mode: 4 - 1/4000 sec. (depends on settings) 1/3, 1/2, 1 EV steps selectable
Self-timer Operation time: 12 sec., 2 sec. (cancel available)
Remote cable release Available (with optional RM-UC1 Remote Cable)
Optical remote control Operation time: 2 sec., 0 sec., bulb control available (with optional RM-1 Remote Control)
Anti-shock mode Available (1 to 30 sec. selectable)
Shooting Speed
Drive mode Single-frame shooting, Sequential shooting, Self-timer, Remote control
Sequential shooting speed Approx. 3.5 frames/sec.
Max. recordable pictures RAW mode: Max. 8 frames on sequential shooting
JPEG mode: Depends on compression ratio and no. of pixels (LN mode: approx. up to card capacity with SanDisk Extreme III 1GB)
Flash
Built-in flash Retractable flash (Auto pop-up type), GN=12 (ISO 100.m)
Compatible external flash FL-50R, FL-36R, FL-50, FL-36, FL-20
Flash control mode TTL Auto (TTL pre-flash mode), Auto, Manual
Flash mode Auto, Red-eye reduction, Red-eye reduction slow sync., Slow synchronization, Fill-in, Manual (1/4, 1/16, 1/64), Off.
Synchronization speed 1/180 sec. or less, Super FP up to 1/4000 sec.
Flash intensity control Up to +/-2 EV in 1/3, 1/2 or 1 EV steps
Synchronization timing 1st curtain synchronization/2nd curtain slow synchronization (selectable)
Flash bracketing 3 frames in 0.3, 0.5, 0.7, 1 EV steps selectable
Wireless flash control compatible external flash FL-50R, FL-36R
Control method Triggered and controlled by built-in flash light
Flash control modes TTL Auto (TTL pre-flash mode), Auto, Manual, FP TTL Auto, FP Manual
Number of channels 4 channels
Group setting 3 groups
Menu
Super Control Panel Information (Shooting) Battery information, Exposure mode, Shutter speed, Aperture value, Exposure compensation value, ISO sensitivity, Exposure compensation indicator, Exposure indicator, Flash intensity compensation indicator, Date, BKT setting, NR setting, WB, WB compensation value, Picture mode, Flash mode, Record mode, Image size, Card information, Drive mode, Flash intensity compensation value, Metering mode, Recordable still image number, Focusing mode, FP warning, AF frame, AF illuminator deactivated notification, Color space, Sharpness, Contrast, Saturation, Gradation, IS activating mode, Face detection, RC mode setting
Information (Wireless flash commander) Exposure mode, Shutter speed, Aperture value, Exposure compensation indicator, Exposure compensation value, Flash compensation indicator, Flash compensation value, ALE notification, Flash compensation notification, NR notification, BKT notification, AF illuminator deactivated notification, Color space, IS activating mode, Wireless channel setting, Built-in flash intensity, Group setting
Back light timer Back light lighting time is selectable (Keep, 8 sec., 30 sec., 1 min.)
Playback modes Single-frame, Index (4/9/16/25/49/100 frames), Calendar, Close-up ( 2 - 14X), Slideshow, Picture rotation (auto mode available), Light box
Information display Histogram (independent luminance/RGB available), Highlight/Shadow point warning, AF frame, Shooting information
Menu Languages Americas: English, French, Spanish, Portuguese
Custom functions Fn button is available to set 10 functions: Face detection, Preview, Live preview, One-touch WB, AF home position, MF, Record mode, Test picture, My mode, Off
Drive button is available to set six functions: Drive, AF target selection, AF mode, WB mode, Metering mode, ISO setting)
Custom reset 2 settings are recordable
My mode 2 settings are recordable
Image Editing
Erasing function Single frame, All frames, Selected frames (with protect function)
Protect function Single frame, Selected frames, Release protect (Single/All selected)
Copy between media Single frame, All frames, Selected frames
RAW picture editing RAW development
JPEG editing Shadow Adjustment, Red-eye fix, Triming, Monotone, Sepia, Saturation (color depth), Resize (producing another file)
Print function Print reservation (DPOF), Direct print (PictBridge compatible)
Input/Output
PC interface High Speed USB for storage and camera control (MTP mode is available)
USB/Video connector Dedicated multi-connector (Video: NTSC/PAL selectable, Optional remote cable RM-UC1 is available)
Flash attachment Hot shoe
Battery and Power
Battery BLM-1 Li-ion battery (included)
Sleep mode Available (1, 3, 5, 10 min., Off selectable)
No. of recordable pictures Approx. 650 shots (optical viewfinder) (with BLM-1 under CIPA testing standard)
Other
Dimensions 5.4 in. (W) x 3.6 in.(H) x 2.7 in. D / 136 mm (W) x 91.5 mm (H) x 68 mm (D) (excluding protrusions)
Weight 16.8 oz. / 475 g (body only)
Temperature 32-104F / 0 - 40C (operation)
-4 - 140F/ -20 - 60C (storage)
Humidity 30 - 90% (operation) / 10 - 90% (storage)
Package Contents E-520 (outfit contents), ED 14-42mm Zoom lens, Li-ion Battery BLM-1, Li-ion battery charger BCM-2, USB 2.0 cable, Video cable, Shoulder strap, OLYMPUS Master 2 CD-ROM, Instruction Manual, Registration card, Eyepiece cap EP-4, Lens and Body Caps, Lens Hood
Olympus E-520 Competition Other Features
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  • illusionist - Wednesday, August 27, 2008 - link

    Is it just me or ya'll get the feeling that this place is owned/heavily sponsored by nvidia?
  • Rev1 - Wednesday, August 27, 2008 - link

    Is it me or was the reply completely irrelevant to the review here?
  • teldar - Wednesday, August 27, 2008 - link

    Sounds like it may be interesting.
    I have to say that I would really like the new Pentax k20 when I graduate, but the new lenses for them start around $600. To get a 2 lens kit similar to what is available with this olympus, it's around $2300. I little on the pricey side for a definitely amateur photographer.
    Maybe in the next year, Olympus will upgrade their autofocus one more time.

    T
  • trisweb3 - Wednesday, August 27, 2008 - link

    Disclaimer: I am an Olympus user and I like the cameras, but I try to keep very objective about camera brands as it doesn't help anyone to argue over them - just use what's best to you. Okay then.

    Wesley, AnandTech, I know you are not digital camera specialists and you're trying to give this a chance, and I appreciate the attention you're giving to alternative brands and other option, kudos there, but putting real trust in your reviews is somewhat difficult for me personally. There's a lot of speculation, missed points, incomplete understanding, and a general misconception of what's important and what's not in a digital camera.

    For example (this was what really hit me in this review) the white balance preset for Tungsten light is absolutely 100% completely inconsequential to actual photography. It's meaningless, just use a different preset or set the white balance so white is white, every modern camera can do this, and it's no merit or demerit of any of these, yet it got a good three paragraphs of attention in the review.

    Also, it may be important to you, but you lambaste the 3-point AF system as a true failing of the camera. While I find that's true if you use multi-point autofocus extensively, on every camera I've ever used, I just want the center point so I know where focus is going to go. It is certainly a limitation that people should know about, but it's not going to have the same importance to everyone else as it did to you. Not bad though, it's good to know.

    The paragraph on Image Quality was entirely about noise - this is not the only aspect of the image that people care about. What about color balance and appearance? Highlight and shadow rendition? Dynamic range? I'd love to hear more depth to this important bit.

    On the other hand, things about this camera that are truly important features were relatively ignored. What about in-camera image stabilization? Most people don't know how useful it is to have every lens stabilized. What about the dust-buster that really works, so you never have to clean the sensor?

    On the positive side, it's great to see a review on a large site that really focuses on the amateur average user and brings everything to a good conclusion. It's nice to hear it from a "Well, here's what I thought of it, let me show you" perspective. Plus, it should also be telling that real users such as yourself actually enjoy using Olympus DSLRs. I know I have, and convincing people of the validity of the E-system is always a bit difficult.

    So, keep it up, keep learning, try to stay objective, and try to focus on what's really important and don't worry too much about trivial details if you can avoid it. Thanks!
  • Wesley Fink - Wednesday, August 27, 2008 - link

    Thank you for your reply, but I still disagree with your claim that focus points don't matter. If they truly don't matter then why does Olympus use 11 double-cross points (44 segments) in the E-3 and only 3 in the E-510. Why then, does Nikon use 51 points in their top cameras and only 3 in their D60, and why does Canon use more points as the price goes up?

    I do agree that the number of points really don't matter in thoughtful photography when you have the time and know what you're doing. However, in action, sports, or even photographing active kids the number of points and focus tracking definitely DOES matter. Try shooting sports or playing kids with a D300 compared to the E-520 and you will also be convinced. ANY kind of focus tracking is very difficult to impossible with just 3 points. Can you take great photos with just 3 points or even one point or none - of course you can, but that is not the point.

    My point was that in a comparison to other cameras in its class the E-520 falls short in the AF module, and that does matter in the marketplace. Almost every other camera with which the E-520 competes has more AF points, better focus tracking, and faster AF, and that definitely DOES matter to many buyers.

    In other areas like color accuracy Olympus does a very fine job. The E-3 AF is SO much better in AF that its a fair question as to why Olympus won't bring some of that technology to their new, lower-priced cameras. It would definitely make Olympus even more competitive.

    I did overemphasize noise, as you point out. That was primarily because Nikon and Canon users often unfairly criticize Olympus for their noise as Inherently the case due to the smaller 4/3 sensor. The real size difference between 4/3 and Canon's 1.6X APS-C is fairly minimal and I was trying to put that concern to rest. Olympus has done a good job of bringing the excellent image processing and noise reduction from the E-3 to the E-520, and I believe it is important to show that to the rock-throwers.

    As for white balance Tungsten performance on Auto WB and Tungsten presets I confess that is a pet peeve. If you only shoot outdoors or in a studio they really don't matter. However, amateurs shoot indoors without flash - which is one of the reasons they step up from a P&S. How an entry level camera handles indoor available-light shooting is VERY important, IMO, in evaluating a camera - particularly an entry-level camera.

    Of course photographers and those who understand color temperatures and how to set up Custom White Balance can deal with poor Tungsten balance, but it still is very time consuming. For first time DSLR buyers, however, orange tinted photos are often a mystery. In case it wasn't clear the Olympus Tungsten preset did a pretty good job. Auto WB in tungsten lighting, however, was about as bad as Canon and Nikon. Actually Sony does the best job of handling Tungsten under Auto that I have seen in current DSLR cameras.
  • melgross - Thursday, August 28, 2008 - link

    White balance settings don't matter at all if you're using RAW, in a proper converter. You can try setting a scene at any setting, and they will all become the same in the converter when the settings are changed there.

    But, when shooting JPEG, is sure does make a difference. Whatever setting is used determines the final quality. changing from one to the other can almost destroy the the image from a quality viewpoint.

    So I agree that whitepoint settings are very important if you shoot JPEC, as many amateurs sadly do. but for RAW shooters, it doesn't matter at all.

    I also agree that noise is very important. It determines the effective dynamic range of the camera.

    Color accuracy is like white balance. Shoot RAW, and it isn't too important (esp. when a camera uses 14 bit conversion). But when shooting JPEGs it is.
  • trisweb3 - Wednesday, August 27, 2008 - link

    Thanks for justifying all that, great response and I appreciate it.

    I wasn't arguing that focus points don't matter, I definitely see the value in having more and better of them, but I was just saying that it may not be as important to everyone as it is for you. But I've decided I sort of like your injection of opinion into reviews and while it's a different style than you usually see online, it's refreshing as well.

    I'm a happy Olympus user and fan as well, so I'm well up on all the noise, sensor size, and competitive comparison issues that normally come up. Just playing a little devil's advocate to try to keep you thinking :) Thanks again.
  • pinto4402 - Wednesday, August 27, 2008 - link

    Hey Wes,

    Keep up the good work. You bring a different perspective to camera reviews, and I appreciate it. I regularly read all the other review sites, but I actually look forward to your articles. Many reviewers tend to fetishize new technology for its own sake. You, on the other hand, actually evaluate whether a new technology is actually useful. Also, you take responsibility for your opinions as opposed to hiding behind statistics and "objective" tests which often times are quite useless to most photographers.

    You're not going to please everyone. Your article style is definitely not typical, but that's okay because we need a different voice in the camera reviewing universe.
  • melgross - Wednesday, August 27, 2008 - link

    Compared to what? Everything other than Canon and Nikon?

    The two together have almost 90% of all D-SLR sales. That leaves the other 10% or so to Sony, Olympus, Pentax, Sigma, Panasonic, Samsung, etc.
  • trisweb3 - Wednesday, August 27, 2008 - link

    For Olympus, the E-510 and E-410, and now the -20 series, have certainly sold better than any previous models.

    Wish I had facts to back this up, but I can only go off what my local photo store tells me about the E-420/520 selling like hotcakes.

    Obviously Canon/Nikon are still at the top, but the improvement is notable.

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