Prosumer Picks

Photo Hobbyists usually have an investment in a particular lens line and that influences their buying decision. It also seems emotions run high among photography hobbyists, so we wouldn't dare make a hard recommendation in the prosumer area or we'd be ducking rocks. However, it is hard to ignore the Sony A700 with the incredible AF speed, shooting speed, body-integral image stabilization that works with all lenses, and the same 12.2MP CMOS sensor as the coming Nikon D300 - a camera that will cost around $1800. There is also the gorgeous hi-res 3" screen. The D700 is a fantastic camera body.

The problem with Sony right now, however, is that the existing inventory of Minolta lenses is dwindling and prices are increasing for good used Minolta lenses. Sony hasn't introduced enough new Sony and Carl Zeiss lenses to fill the void - or at the very least Sony hasn't shipped the ones they've previously discussed. The ones they have shipped are also very expensive compared to any competing system. Perhaps the A700 is the push Sony needs to do something positive about a better and more available selection of lenses, which is the reason to own an SLR in the first place.

Nikon and Canon have the lens area covered in spades, but the Canon 40D, while a very capable camera, breaks little new ground. It is very fast in focusing but the sensor is the same resolution as the entry Canon XTi and the AF module appears similar to the 30D. The only real improvement is a faster new Digic III processor. You do get auto sensor cleaning carried over from the XTi, a 3" screen that is unfortunately low-res compared to the Sony and Nikon, a very fast 6.5FPS shooting speed, and Live View, copied from Olympus.

The Nikon D300 has that gorgeous 3" screen like the Sony and the fast, low-noise 12.2MP sensor further improved by Nikon electronics expertise. The only real feature you get on the Nikon that's missing from the Sony A700 is Live View. Nikon also introduces their first auto sensor cleaning system. Veterans will tell you that the most important feature you get is the Nikon lens family.

The Olympus E-3 breaks new ground for Olympus. If you consider it a full pro model with the full dust and splash sealing, it is a bargain at around $1699. It also is a long overdue update for the outdated Olympus AF modules in past Olympus DSLR cameras. Olympus has improved the AF with each new model line but 3-point AF just wasn't competitive. The new Olympus system is competitive and very fast and it will likely find its way into cheaper future Olympus cameras.

While we weren't really watching Olympus has put together a really impressive lens line up for 4/3 cameras, with many very fast f2.8 and f2.0 zoom lenses, an 8mm fisheye, fast super wide zooms, some of the longest telephoto lenses available in any system, and a group of very good performing and cheap kit lenses. Leica and Sigma have also added a few 4/3 mount gems. If it isn't already too late, those looking at the current Olympus 4/3 system are likely to be very pleasantly surprised.

Prosumer SLRs Entry-Level SLRs
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  • Johnmcl7 - Saturday, November 24, 2007 - link

    The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.

    The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3.

    Also, the E-3 doesn't have a lens cleaning feature:

    "The E-3 is also the first Olympus pro model to feature built-in flash, and it's dust and splash sealed. Auto lens cleaning is a feature, image stabilization is built in and works with all lenses, and the latest incarnation of Live View with a fold out articulating LCD screen is featured."

    I assume you're referring to the sensor cleaning feature?

    John
  • Johnmcl7 - Saturday, November 24, 2007 - link

    The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.

    The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3

    John
  • Johnmcl7 - Saturday, November 24, 2007 - link

    The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.

    The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3

    John
  • Johnmcl7 - Saturday, November 24, 2007 - link

    The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.

    The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3

    John
  • Johnmcl7 - Saturday, November 24, 2007 - link

    The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.

    The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3

    John
  • Johnmcl7 - Saturday, November 24, 2007 - link

    The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.

    The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3

    John
  • Johnmcl7 - Saturday, November 24, 2007 - link

    The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.

    The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3

    John
  • Johnmcl7 - Saturday, November 24, 2007 - link

    The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.

    The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3

    John
  • smmorrison - Saturday, November 24, 2007 - link

    This isn't a bad buying guide and certainly better than wired magazines recent guide which was horrible.

    My main concern(and I am a photography teacher) is that these guides don't ever really take into account one of the primary reasons for buying a DSLR...the lenses & accessories. There are many reasons why most pros or semi pros choose nikon or canon(and I am a canon guy myself). They have lenses and accessories for everything. Need a macro lens, got it, need a tilt shift...got it...super tele for birdwatching or sports...got it...super low light prime...got it. And I think sports will be a main reason for many families buying DSLR's. Nikon and Canon are far superior for shooting sports. There are 3rd party alternatives for many other brands, but they often are not as good as the manufacturers lenses or have issues with focusing or compatibility(sigma is well known for this). Then there are the accessories...off camera flashes, macro flashes, off camera cords, battery grips...the list goes on. Some of the other brands might have some of these as well...but at some point, if a photographer progresses they will likely reach a point where sony or olympus or even pentax doesnt have the lens or accessory for what they want to do. Might not happen, but if you get really into the hobby it probably will. There is also the factor of the used lens market...It is far easier to find used lenses for Nikon and Canon on ebay, FredMiranda, B&H, etc.

    I also fully agree with some of the above comments about image quality. These are DSLR's NOT point and shoots...I think people have gotten obsessed with features with point and shoot cameras, but with DSLR's its about the image quality...and what these articles frequently forget is that the image quality often comes down to the glass. You are really buying a lens system, not a body...Megapixels, in camera stabilization, and sensor cleaning really are not that big a deal.

    The only '3nd tier' brand that would be interesting is Pentax, since you can use their older lenses...a big factor, since many of the older primes are great lenses and can be bought cheap. I would never recommend Sony or Olympus to students or friends.

    If magazines and websites are going to start talking about DSLR's, they need to not focus on the bodies so much and start seriously talking about the lenses and recognize that Canon and Nikon are on top for a reason...they have everything you will ever need for your camera.

    just my .02
  • Wesley Fink - Saturday, November 24, 2007 - link

    Actually we chose the Olympus E-510 2-lens kit BECAUSE of the superior imaging quality of the kit lenses. Both kit lenses, which cover the 35mm equivalent of 28mm to 300 mm are far better in image quality than either Canon or Nikon kit lenses. Check out other review sites and you will see many other sites agree the Olympus kit lenses are better quality than the competition and that Olympus 4/3 lenses in general provide better image quality than competing lenses on APS-C cameries.

    Do we ignore image quality and select Canon or Nikon because they are better known in DSLR? We agree and stated that Canon or Nikon are the safe choices, but thy are not necessarily the best quality in digital imaging.

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