Camera - Daylight - More HDR & Portrait

I wanted to have a second page of daylight photos because I wanted to spend a bit more time and have a tad more varied scenes for to test Apple’s SmartHDR – please enjoy.

Click for full image
[ iPhone XS ] - [ iPhone X ] - [ iPhone 7 ] - [ iPhone 6S ]
[ Galaxy Note9 ] - [ Galaxy S9+ ] - [ Galaxy S8 ]
[ LG G7 ] - [ LG G6 ] - [ LG V30 ] - [ OnePlus 6 ]
[ Mi MIX2S ] - [ Pixel 2XL ] - [ P20 Pro ]

This tunnel was a fun little test – the other end was sunlit while obviously quite dark from my side. I thought this would be a good little visual representation of the raw dynamic ranges that the phones would be able to capture.

Indeed, the iPhone XS is able to go a lot further into the end of the tunnel than the iPhone X, or for that matter, most other phones. This is an extreme show-case of Apple’s new HDR processing and how it’s able to play with bright highlights in scenes.

Click for full image
[ iPhone XS ] - [ iPhone X ] - [ iPhone 7 ] - [ iPhone 6S ]
[ Galaxy Note9 ] - [ Galaxy S9+ ] - [ Galaxy S8 ]
[ LG G7 ] - [ LG G6 ] - [ LG V30 ] - [ OnePlus 6 ]
[ Mi MIX2S ] - [ Pixel 2XL ] - [ P20 Pro ]

One scenario that Apple showcased during the keynote was a shot directly facing the sun. I’ve had users in previous reviews bombard me with comments as to that’s not how you should take a photo. To them I say: that’s an outdated notion of photography.

As computational photography becomes an ever increasingly common theme in devices, we’ll see more and more scenes like this one where shooting against the sun should be no issue at all.

The iPhone XS dramatically improves the shadow detail, and is able to notably reduce the sun’s halo in this shot, but I do think Apple might have overpromised a bit on the notion of computational photography. The best counter-example of this is to just switch over to what the Huawei P20 Pro was able to achieve in its 10MP AI mode, by far surpassing all other phones in the captured dynamic range of the scene. This facet of smartphone photography really opens up a new area of competition, and hopefully we’ll be seeing some exciting things in the future.

Click for full image
[ iPhone XS ] - [ iPhone X ] - [ iPhone 7 ] - [ iPhone 6S ]
[ Galaxy Note9 ] - [ Galaxy S9+ ] - [ Galaxy S8 ]
[ LG G7 ] - [ LG G6 ] - [ LG V30 ] - [ OnePlus 6 ]
[ Mi MIX2S ] - [ Pixel 2XL ] - [ P20 Pro ]

This shot follows the same themes we saw on the previous page, the iPhone XS handles the shadows a lot better and gives a lot more details over the iPhone X.

Samsung again opts for a much brighter picture, but I do think it comes at some cost of detail. Again I think the OnePlus 6’s HDR processing is an excellent middle-ground that would please most people, although Apple has a tad more natural look going for them.

Click for full image
[ iPhone XS ] - [ iPhone X ] - [ iPhone 7 ] - [ iPhone 6S ]
[ Galaxy Note9 ] - [ Galaxy S9+ ] - [ Galaxy S8 ]
[ LG G7 ] - [ LG G6 ] - [ LG V30 ] - [ OnePlus 6 ]
[ Mi MIX2S ] - [ Pixel 2XL ] - [ P20 Pro ]

In less direct sunlit environments, the difference between the iPhone X and XS might not be directly visible the thumbnails, however opening up the full resolution image showcases the XS’s significant increase of detail and textures throughout the whole scene. The larger pixels of the XS sensor along with the deeper DTI (deep trench isolation) results in significantly increased spatial resolution – even though the sensor has the same amount of pixels and even has a wider field of view, resulting in less pixels per given object.

Again Samsung tends for a brighter exposure that I think is a bit too much – detail slightly trails the XS. OnePlus bridges the two vendors in terms of exposure and detail.

Click for full image
[ iPhone XS ] - [ iPhone X ] - [ iPhone 7 ] - [ iPhone 6S ]
[ Galaxy Note9 ] - [ Galaxy S9+ ] - [ Galaxy S8 ]
[ LG G7 ] - [ LG G6 ] - [ LG V30 ] - [ OnePlus 6 ]
[ Mi MIX2S ] - [ Pixel 2XL ] - [ P20 Pro ]

This scene was mostly in the tree shadows, sun sunlit spots coming through the gaps. By now we should understand where the XS’ strengths are: brighter and more defined shadow details.

I think Apple nailed this shot and it has the best balance of exposure as well as the best detail retention. The OP6 closely followed in terms of exposure, but lost in terms of details. Samsung here just overdid it with exposure and just flattens the scene too much.

Click for full image
[ iPhone XS ] - [ iPhone X ] - [ iPhone 7 ] - [ iPhone 6S ]
[ Galaxy Note9 ] - [ Galaxy S9+ ] - [ Galaxy S8 ]
[ LG G7 ] - [ LG G6 ] - [ LG V30 ] - [ OnePlus 6 ]
[ Mi MIX2S ] - [ Pixel 2XL ] - [ P20 Pro ]

Finally the last shot, is again a good showcase of HDR of the different phones. The iPhone XS continues to perform very well here, showing the improvements we’ve seen in previous scenes. Again Samsung is brighter, but slightly loses out on details.

Portrait Mode

Click for full image
[ iPhone XS ] - [ iPhone X ]
[ Galaxy Note9 ] - [ LG G7 ]
[ OnePlus 6 ] - [ Mi MIX2S ] - [ Pixel 2XL ]
[ P20 Pro   ]

Portrait mode is something that’s been quite the rage nowadays, and the iPhone XS promises to take advantage of its new inferencing engine power to create much better separation maps between the foreground subject and the background, to which the computational bokeh effect is applied.

Shooting in portrait mode on most phones means that the actual shot will be taken with the telephoto module, while the wide main camera is also doing work by serving as the depth sensor. Single-module phones such as the Pixel 2 rely solely on the computational power to discern between the subject and the background.

The results on the iPhone XS showcase a significant improvement in the image quality of portrait mode. First of all, the exposure and colour balance of the shot is just significantly better, something that’s universally valid for telephoto shots on the new XS.

The actual bokeh effect on the XS looks to be applied a lot more graduated, and while it’s still possible to see the edge of the pattern in some cases, it’s significantly improved.

This gradual application is what makes the iPhone’s portrait mode stand out to other phones. Only Huawei and Samsung somewhat manage to go a decent job, while all other phones look quite rubbish to be honest, with visible zigzag patterns around the subject.

Daylight Conclusion

Overall in daylight, the iPhone XS is easily a top-tier performer. One thing that I didn’t bring up throughout is picture capture consistency, and here the iPhone XS just shines. Every time you take a picture, you can be assured you will get a good shot – and there’s little to no difference in consecutive shots.

Apple’s new SmartHDR is a definite win, and allows for much more detail in the shadows, all while retaining good highlights in the scenes. The new sensor module is definitely showing its strengths even in daylight, as every shot that wasn’t in direct sunlight was able to showcase much improvements in terms of details as well as textures. I attribute this to the new sensor’s much improved DTI – something which results in the iPhone XS gaining quite a bit more resolved spatial resolution, even though the megapixel count is the same.

The new slightly wider viewing angle on the main camera is something that I enjoyed, and I hope Apple continues on in this regard. My iPhone X seems to suffer from lens defects in the left part of the scenes – the iPhone XS showcases no such chromatic aberrations and is sharp until the edge of the frame.

The biggest improvement seems to be on the telephoto lens. While on the iPhone X and before, the telephoto lens could result in quite different colours and exposures. On the iPhone XS the new module seems to be perfectly in balance with the main camera, so that there’s just very little difference in the picture between the two.

While sometimes I do prefer OnePlus 6’s HDR, the XS is more consistent in terms of detail throughout the scenes. Samsung’s Note9 and S9 also sometimes can get a better shot, however they have too much of a tendency to overexpose. I think overall, the iPhone XS takes the lead in terms of smartphone photography in daylight just because of its consistent shooting experience.

Camera - Daylight Evaluation: Zoom and Scenic Camera - Low Light Evaluation
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  • alysdexia - Friday, May 10, 2019 - link

    ODEDs
  • Henk Poley - Saturday, October 6, 2018 - link

    The OLEDs have a +41% higher pixel density as the LCD iPhones. So that's one reason why it could use more power.
  • Constructor - Sunday, October 7, 2018 - link

    OLEDs are simply much, much less efficient than the crystalline LEDs used as LCD backlights. They only have an advantage when the image is mostly black, which just isn't the case almost anywhere on the web or elsewhere.

    And the OLED displays in the X/XS are PenTile, so red and blue only have half the nominal resolution. The indicated resolution actually applies to green only. But the GPU will probably need to work harder for the PenTile compensation algorithm.

    It still looks smudged to me especially at character edges (they're lined with tiny brownish/blueish pustules due to PenTile), and scrolling looks horribly janky, as if it was an old-time interlaced display, which is apparently due to the necessary PWM re-scanning.

    Neither of these püroblems exist with the excellent LCDs Apple has been using since the iPhone 6, which still have proper full-resolution RGB pixels and due to the LCD inertia scroll buttery smooth.

    So if any of the devices, it'll be the XR for me or none.
  • caribbeanblue - Thursday, September 24, 2020 - link

    I thought the the buttery smooth looking scrolling on LCD was due to the more ghosting happening on the screen, no? When you’re scrolling text and images look clearer on OLEDS thanks to the lower amount of ghosting, but on LCDs pixels take more time to switch colors and that creates that smooth scrolling effect on the screen.
  • Mic_whos_right - Tuesday, October 9, 2018 - link

    That makes sense. still. isn't the OLED designs suppose to use zero batt at times during black? Maybe for movie borders?
  • Constructor - Tuesday, October 9, 2018 - link

    Yeah, I would also expect that the display controller should be able to go into low-power mode if it has all black pixels and it doesn't even need to scan in that state.

    Maybe there was some mistake in the measurement or the display wasn't actually completely black but just relatively dark with still some pixels on at lower brightness.

    It could also be that the controller needs some startup time so it might not be able to shut down unless it can really know for sure there won't suddenly be some bright pixels again.
  • alysdexia - Friday, May 10, 2019 - link

    aren't, supposed
  • wrkingclass_hero - Friday, October 5, 2018 - link

    I don't mind the minor typos, but I would have liked to have seen rec.2020 color gamut testing and sustained gameplay battery life.
  • melgross - Saturday, October 6, 2018 - link

    Nobody has a rec2020 monitor, so there’s no point in testing for it.
  • jameskatt - Saturday, October 6, 2018 - link

    Fantastic Review! But you missed the biggest item: The 8-Core Neural Processing Cores. These are used by Apple for Magic and huge acceleration of several tasks including realtime photo processing, Face ID, etc. These can be used in apps. The A12 has 18 cores - 2 Large CPU, 4 Small CPU, 4 GPU, and 8 NPU Cores.

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