LG 29EA93—AV Use and Calibration

The LG 29EA93 is designed to work as both a PC display and a display for movies, games, and TV. With a pair of HDMI inputs to go with the VGA, DisplayPort, and DVI inputs, you can easily hook up a game system, Blu-ray player, DVR, or other AV device to watch on it. The LG 29EA93 also has internal speakers for your audio and can be switched between AV and PC mode in the menus, which should ideally switch between video and PC levels for that input.

It also features a 2-axis, 6-point CMS to calibrate primary and secondary colors, as well as a user adjustable color temperature to get the white point correct. We've seen this on a couple other displays that have come around, but it is still very uncommon on a PC monitor compared to a TV. This is also very similar to the CMS that LG puts into their consumer televisions, which I’ve used and calibrated to good results before.

The LG 29EA93 also features four preset modes: Cinema, Standard, Vivid 1, and Vivid 2. Once those are selected your only adjustments are for brightness, with contrast, sharpness, and other controls being locked out. Since most users will likely select one of these, I did a full set of measurements on all of them to see how they perform relative to each other.

  Cinema Standard Vivid 1 Vivid 2
Grayscale dE 2000 6.459 4.1175 9.0987 10.5897
CCT Avg (K) 5585 7092 8258 9484
Primary and Secondary Color dE2000 7.4409 7.37 13.4953 13.9677
Saturations dE2000 5.4043 6.4582 9.6899 10.7163
Gretag Macbeth dE2000 5.8488 6.1185 9.8674 10.763
Gamma 2.0066 1.9593 1.9131 1.9207

Looking at the data, the most accurate modes are Cinema and Standard, with the Vivid modes being really blue in temperature and having huge errors in color and grayscale. The Cinema mode has a bit of a red push to it in the grayscale, whereas the Standard mode is a slight bit blue but is more accurate in comparison to Cinema. On colors, Standard can’t quite compete with Cinema, even with the red push that Cinema adds to everything. Both are close overall, but Cinema is a bit more accurate. I also just preferred the look of Cinema myself, as the warm, reddish tint is more pleasing to me than the colder blue tint on Standard, but others might feel differently. With Black and White content I’d certainly choose Standard, but with a normal film I’d likely move to Cinema.

One drawback that both modes have is posterization or color clipping at the top of the spectrum. On the Disney World of Wonder calibration disc, clouds that roll across the sky at the title screen are clearly blocky and wrong on both Cinema and Standard modes. However the Vivid modes do not suffer from this posterization at the top of the spectrum. On a typical TV you would try to correct this by reducing the contrast to see if you are clipping a color, but this can’t be done on the LG 29EA93.

Watching some film content it isn’t as noticeable, but if you watch a very highlight filled film like Art of Flight, you might really not want to watch it on Cinema or Standard. So none of these do a perfect job with color or grayscale, and the ones that are best in those areas have an issue with posterization on highlights. To see if I can fix this I ran a calibration using CalMAN 5, an i1Pro spectrometer, and a Quantum Data 882 as a pattern generator.

The first thing to adjust is the grayscale that only offers a single point instead of the more common 2- or 10-point options. When I attempted to adjust this point, no matter what I did I found the results were the same. I could be looking at 50% or 100% stimulus values, and moving Blue from 0 to 100 affects nothing at all. With the User mode adjustments having no effect, I chose the Warm preset as it was closest to D65. For gamma none of the choices led to the linear 2.2 gamma that I want, and the one with the best average Gamma was Gamma 2.

Adjusting the colors with the CMS is not easy at all. The basic controls for color and tint are missing, and there are only saturation and hue controls for each individual color. I made a first run using 75% stimulus and 100% saturation and came out with results that I didn’t like, so I did another pass at 75% stimulus and 75% saturation that was better and that I will comment on.

The individual color controls are very touchy but also interact with each other and other colors. Cyan is the worst color by far at the start but I could correct it using its controls to where it had a dE2000 of less than 1. However, adjusting the controls for Cyan causes the Green primary to shift heavily and need more adjustment, and fixing Green leads to Cyan being off again. Below you see the best I could manage, where most colors are OK but Cyan is horrible as is any color near it.

Red, Yellow and Magenta are all very well behaved and controlled, and Blue is good except for a lack of saturation, but Blue is the least important to get right. Even after making multiple passes with Cyan and Green I could only get them so accurate due to the interaction of the controls and so I quit at a certain point. Measurements of Saturations and the Gretag Macbeth Color Checker show that Red, Yellow, Magenta and Blue all perform decently, but Cyan is horrible and Green is also bad. The saturations are way off, and points in the color checker that combine them are truly horrible with dE2000 values well over 10. As nice as it is for LG to include a CMS in the 29EA93, it is not functional and I wouldn’t use it if I had it.

Viewing the calibrated image only proved the point. Watching Drive on Blu-ray, using an Oppo BDP-93 as a source and having it do the Anamorphic Stretch (to properly use the 21:9 screen area), the screen is filled with posterization and blobs of color that are totally incorrect. Detail is lost and it is a really bad image, no matter what the charts say. Going back to Cinema or Standard produces a far superior image that I was happy to watch and enjoy for a while longer. If you are using the 29EA93 as a non-PC display as well, stick to a preset like Cinema or Standard, and don’t bother with the CMS as it will only cause frustration and lead to a worse image.

One more nit-pick I have about the LG 29EA93 when used as a video display is the lack of a remote control. With a video display I want to be able to change inputs and adjust volume without having to be at the display, but there is no way to do that on the 29EA93. Providing some way to control it remotely, either with a remote or via an iOS or Android App, would make for a big improvement in its use as a dual-purpose display.

LG 29EA93 - Display Uniformity LG 29EA93 - Input Lag and Power Use
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  • justniz - Wednesday, December 12, 2012 - link

    The lack of 3D support seems like an obvious oversight, especially for a monitor that obviously targetted for movie and gaming use.
    I dont use 3D that much but I certainly wouldnt limit myself further by buying a monitor that couldnt support it at all.
  • cheinonen - Thursday, December 13, 2012 - link

    Not having 3D is likely for a couple reasons:

    - Very few scalers actually work with a 3D picture. A Lumagen Radiance does, but that's $2000 to start with a basic model, and very few projectors with anamorphic mode support can do it to 3D. That would require a lot of extra power and push the price up.
    - If they went passive 3D (which LG usually does), that's introducing a texture onto the screen that many people, like myself, can not tolerate on non-3D content.

    Given that adding 3D would push the costs up a good amount probably, I think it's a pretty easy thing to drop.
  • Cannyone - Wednesday, December 12, 2012 - link

    I recently found myself in need of a new display for my computer. And I was very interested in this new model. But I was afraid that some games wouldn't be able to utilize it. And I also worried that the input lag might be intrusive. So I ended up settling on the Asus PB278Q. Which I'm happy to say is working out quite well.

    I personally still wish I could get something like Vizio's Cinemawide TV for watching movies. But that will have to wait. However I commend LG for at least trying to fill this market niche. Its nice to see some companies that aren't afraid to take some risks.
  • SunLord - Wednesday, December 12, 2012 - link

    Anandtech needs to review the Dell UltraSharp U2713HM same idea as this but it has display-port out so we can get some 6 display eyefinity going!
  • peterfares - Wednesday, December 12, 2012 - link

    In my opinion these are just stupid. A 27" 2560x1440 monitor is far better. Same horizontal room, more vertical room. 1080 vertical is pretty cramped once you get used to more.
  • audioman83 - Thursday, December 13, 2012 - link

    screen space-wise, how is this not better than 1920x1080????? more is more.
  • Calista - Thursday, December 13, 2012 - link

    I agree with Chris that a 27" is a better choice, but as compared to a 1920x1080-monitor it makes a lot of sense. 1920 by itself is just silly to work with in most cases, 1920 divided by two is only 960, far from enough for two work areas side by side. A browser need at least 1024 pixels, but even 1200 pixels is often a bit lacking. 2560 divided by two is much more workable.
  • Jsuvexx - Thursday, December 13, 2012 - link

    An monitor like this will be snatched up real fast by musicians, and folks in the multimedia industries.
  • ReaM - Monday, January 21, 2013 - link

    Anandtech crowd is a lot smarter than the rest of internet. I read a lot about 16:9 vs 16:10 back then when it came and people made ridiculous arguments for 16:9 stating that it's good for movies etc (while no movie has ever been shot in 16:9).

    If not for the loss of pixels I would vote for 16:9 but 1080 on these monitors is not much bigger than 1280x1024 what I had on my CRT 12 years ago. There is not really much more space on monitors, unless you get one of 1200 or 1440. I used to have the 27" iMac, it was nice, lots of space on the monitor.
  • dim.thelights - Thursday, April 4, 2013 - link

    How to know which Rev. you will buy in the shop?

    Anyone know how to find out?

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