Video Performance

Now that we’ve gotten a good idea for how the Galaxy S6’s camera performs in a range of situations for taking photos, we can turn our attention to video recording quality. Even if a camera performs well at taking images, video recording can often expose weaknesses in areas such as encode blocks in the ISP. In addition, it’s possible to see how well an OEM can handle post-processing on a real-time basis when each frame has to be done in around 16 to 32 ms rather than a single frame in a few hundred milliseconds. This also tends to level the playing field somewhat as an OEM can’t force longer frame exposure times without affecting frame rate in a very visible manner.

We’ll start with a relative static video to get a good idea for video quality without severe camera shake and with relatively fixed focus.

In the 1080p30 mode, Samsung has opted for H.264 high profile encoding with a bit rate of 17 Mbps. For 1080p30 video, this bitrate seems to be around where most OEMs are staying to balance image quality and file size.

Viewing the video shows that there isn’t any sort of distracting macroblocking going on or any of the usual artifacts. The field of view appears to cover most of the sensor as well which should help with improving detail and overall video quality if one doesn’t zoom in.

Interestingly enough, this video is already exhibiting a combination of oddly smooth and jerky pans that is likely due to hitting travel limits on the OIS. I suspect that this behavior is part of the reason why Apple didn’t enable OIS in video on the iPhone 6 Plus, as those that are unfamiliar with how the stabilization works would likely be frustrated by the effect.

The Galaxy S6 also records at 256 kbps, 48kHz two channel AAC audio, which is much higher than the 96-128 kbps rate that I’m used to seeing on most smartphones. The audio recorded definitely seems to be quite clear and crisp with no real distortion.

Moving on to the 1080p60 mode, we can see that Samsung is opting to go with the same video and audio encode settings, but at a 28 Mbps video bit rate to handle the higher frame rate. Subjectively it appears that this mode comes with a drop in video quality, which is a bit disappointing as 1080p60 shouldn’t come with any real compromises in image quality to fit with user expectations other than an increase in file size to deal with the higher frame rate. Other than this, motion is fluid and video remains of usable quality which is good.

For slow motion, Samsung opts to use a 48 Mbps video bit rate while keeping all other video and audio settings identical at a 720p resolution with a 120 fps frame rate. Unfortunately, Samsung seems to be running into either a self-imposed limit or some other limitation at the hardware level like camera output bandwidth, ISP processing limits, or encode block limits. The result is that slow motion video ends up looking more like 480p than 720p video.

On the other end of the spectrum, Samsung has included 4Kp30 support with a 48 Mbps video bit rate and identical video and audio encode settings as all of the other video settings. It seems that there aren’t any issues with quality here, which makes me wonder why there are issues when using the slow motion mode as the bit rate is similar while the number of pixels processed per second is higher. Video is amazingly high resolution here, but I’d still love to see a 4Kp60 mode as the logical next step with the use of HEVC encoding to also make for fluid motion. There’s also a 5 minute limit as with most phones that can record 4K video, presumably to avoid taking up excessive amounts of storage.

The final video test I did here is to simply test the stabilization, focus stability, and exposure accuracy of the Galaxy S6 by walking down a short path and attempting to switch between focusing on near and distant objects which are either strongly shadowed or well-lit in the scene. Here we can see that the sound quality of the video recording remains high in quality, but there are some advantages and disadvantages of the Galaxy S6 when comparing to the iPhone 6. The Galaxy S6 is clearly better-stabilized than the iPhone 6, but there’s a great deal of jerky movement in the video rather than a consistent shake due to the OIS hitting a travel limit and resetting.

It also appears that the auto focus isn’t sensitive enough to figure out what part of the scene I’m attempting to focus on, as it tends to avoid changing focus if possible. It’s a bit surprising in this case as Samsung’s IMX240 sensor also has PDAF, which means that it should be possible to cleanly focus in on the closest object within the center ninth of the frame. Samsung’s auto-exposure mechanism also attempts to keep the sky from blowing out at the end of the video, which causes almost everything else to end up quite dark compared to the iPhone 6.

Overall, in all of the videos and photos there’s also a consistent trend of Samsung favoring oversaturation of color which often isn’t accurate, but I suspect the average consumer will prefer such tuning. In general, the Galaxy S6’s camera is a solid step up from the Galaxy Note 4, and can even beat the iPhone 6 in some situations, but taking everything into account the camera is equal to the iPhone 6 Plus in quality at best as it trades blows in daytime and low light situations.

Although Samsung has drastically improved the speed of the camera, camera application, and the gallery application, they’re still fighting a fundamental sensitivity disadvantage by using 1.1 micron pixels. Given Samsung’s dominant position in the Android industry, I can’t help but wonder how much better things could be if they elected to go back up the pixel size scale.

At any rate, the only issue that Samsung really needs to fix at the moment is the obvious haloing around high-contrast detail in photos. The fact that I can do this sort of detailed comparison between the iPhone 6 and the Galaxy S6 should speak volumes about just how good this camera actually is, compared to any Galaxy phone before the Galaxy Note 4. When it comes to flagship Android phones, the Galaxy S6 has the best camera, and there’s really nothing else to be said.

Still Image Performance Software: TouchWiz UX
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  • h3ck - Friday, May 8, 2015 - link

    Because even though media, books, music and other content is cloud based and easy to access, applications are getting increasingly larger and you still want to have space for local content in general. I went with the 64GB myself, but I also use a Dash Micro. If you don't know what that is, it's amazing > http://www.amazon.com/Dash-Micro-MicroSD-Android-U...
  • elchepe - Saturday, May 23, 2015 - link

    I don't know what world you're living in, but most people take cheap loads of pictures and videos these days. Considering the megapixel count on the S6 and other flagship, expandable memory certainly becomes a necessity. There are plenty of people who know the woes of being unable to update their iPhones because there's not enough space available.
  • deputc26 - Friday, April 17, 2015 - link

    I would like to see an APL vs. Brightness graph for maximum manual brightness. Using 100% APL unjustifiably biases the test against AMOLED screens. 60-80% APL would correspond much better to real world scenarios.
  • Brett Howse - Saturday, April 18, 2015 - link

    Check the display page again.
  • deputc26 - Saturday, April 18, 2015 - link

    "Manual" brightness, not automatic. I checked the display page again and was disappointed.
  • melgross - Saturday, April 18, 2015 - link

    The problem amoled has, is if brightness remains too high for too long, the display will burn out after a time. The real max brightness is around 350nits, the same as before. In fact, Samsung is taking a big chance with the max brightness here. I predict that we'll be seeing display life significantly shortened for a number of people who spend a lot of time outdoors with their phones.

    The life of all LEDs is directly dependent on their temperature. Amoled needs low temps to work, unlike metal based LEDs, used for LCD screen back lights. Their innefficiency means that a lot of power is required for maximum brightness, which leads to overheating. That's why manual brightness on these is the same its been for the last three generations.
  • Brett Howse - Saturday, April 18, 2015 - link

    @deptuc26: So you are concerned about 100% APL being biased against AMOLED but want to see the manual brightness where the scores are lower? I'm confused. You seem to contradict yourself there.
  • melgross - Saturday, April 18, 2015 - link

    No, not at all. I'm pointing out that while Samsung has a new brightness setting for outside, you can't use it for regular use. That because using it more than occasionally will damage the display. This is like redlining a car engine. You can do it, but don't do it too often.
  • deputc26 - Saturday, April 18, 2015 - link

    Values for both Manual brightness and automatic brightness are given at 100% APL in charts in the review. This is unrealistic, no one walks around with a pure white screen. The review partially makes up for this error by including a "APL vs brightness" graph for automatic brightness. It does not include such a graph for manual brightness leaving the attentive reader wondering what the brightness would be at a realistic APL and leaving the inattentive reader with a false impression.
  • Uplink10 - Saturday, April 18, 2015 - link

    Because then people would not buy 64GB or 128GB phones which are very overpriced. They would just buy 32GB/16GB phone and additional MicroSD card. Why? Because of greed.

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