Canon 5D2 Full Frame vs. Nikon D700/D3 vs. Sony A900

The Canon 5D was the first "popular" priced full-frame DSLR introduced at the $3500 mark for the body only about three years ago. The 5D Mark II just started showing up at dealers on Monday, and the first units began arriving from web etailers on Tuesday, December 2. However, the market is no longer Canon only as both Nikon and Sony have recently introduced models to compete in the $3000 full-frame DSLR market.


The A900 was introduced just a couple of months ago and sells for $3000. It is currently the highest resolution sensor in its class at 24.6MP. The 5D2 has slightly lower resolution at 21/2MP. Nikon also just announced a 24.5MP D3x that will ship later this month, but the new Nikon is in a completely different class with an $8000 price tag.


Nikon introduced the pro-targeted D3 about a year ago with a full-frame $5000 12.1MP sensor. The D3 claim to fame was the widest ISO range ever seen in a DSLR, with a range from ISO 100 to ISO 25600, a 9-stop ISO range. Mid-year 2008 Nikon moved this wide-range full-frame down to the $3000 D700 to compete with the Canon 5D, as well as the coming 5D2 and Sony A900.

Again, all images are captured using a 2-second shutter delay on a tripod in the same location. The manufacturers' 50mm f/1.4 prime lens is used in all cases at an aperture priority setting of f/4.0, some three stops down from their rated speed. All images are processed with the in-camera JPEG processing with high ISO noise reduction set to the low setting. Light is provided by a 100W tungsten bulb, and white balance on all cameras is manually set to tungsten.

ISO Comparison – Canon 5D2 vs. Nikon D700/D3 vs. Sony A900
ISO Canon 5D2 Nikon D700 Sony A900
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100
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1600
3200
6400
12800  
25600  

Click on any of the above image crops for the full image.
Note: Full size images are between 3.2MB and 15.5MB!



The D3 and 5D2 are both no brainers to ISO 3200. I wouldn't hesitate to use either of them for anything up to ISO 3200. 6400 and 12800 are both good with more noise, but still usable for most things. 25600 on either is more for small prints, although I suspect DXO, Noise Ninja, or perhaps other noise reduction programs can do wonders at that speed. They certainly do with RAW processing - the Sony A900 high ISO images that look noisy unless RAW processed. Resolution of the 5D2 is better than the D3/D700, but not quite up to the Sony A900 at regular ISO. I suspect at high ISO with in-camera JPEG the Canon will be equal or better than the Sony.

The Sony seems to be fine up to ISO 1600, but above this noise really starts to intrude. It is not the wide ISO wonder of the 5D2 or the D700, but it is definitely the highest resolution image at lower ISO ratings. The 5D2 is close in resolution, however - much closer than the D700/D3. Recently we have also seen some professionals getting extraordinary high ISO Sony results with RAW post-processing with programs other than Adobe Camera RAW. They claim ACR is quite poor at processing noise in the A900 images and there are much better tools. We are experimenting with their suggestions for A900 RAW post-processing.

Canon 5D Mark II vs. Canon 5D Looking Ahead
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  • BORUP - Thursday, December 4, 2008 - link

    I FOUND YOUR REVIEW VERY HELPFUL AND LOOK FORWARD TO FURTHER ASSESMENTS.
  • brokensoul - Thursday, December 4, 2008 - link

    dxomarks for the canon should be up in a couple of days, and the 5DmkII seems to do really good...
  • randfee - Thursday, December 4, 2008 - link

    Hi,

    we've been discussing this elsewhere. The new camera has a feature called "Higlight Tone Priority", which seems to be turned on when it ships. If that was turned on, the noise levels presented are actually worse than they could be:

    HTP choses a lower ISO setting and then underexposes to frame. It later applies a curve to increase exposure again but through that process increases noise since dark areas are being boosted!

    Can you verify if that was on or off?
  • Wesley Fink - Thursday, December 4, 2008 - link

    I just checked and C.Fn II: Image 3, which is Highlight Tone Priority, is disabled. I don't recall if it was on by default, but it was disabled before for the test shots.

    Thanks for bringing this to our attention.
  • KnIgHtCoM - Thursday, December 4, 2008 - link

    That's the real selling point here. 1080P shooting on L glass. *drool*
  • Wesley Fink - Thursday, December 4, 2008 - link

    You are certainly right. For some the 1080p video with full AF on L glass will be the most important feature. We plan to cover that more fully in the more detailed review.

    There is only so much you can do in a review in just one day, so we targeted Resolution and Noise since those were the largest unanswered questions from a production 5D2 for most readers.
  • KnIgHtCoM - Thursday, December 4, 2008 - link

    Haha, no worries. Just giving you guys a hard time. I'm looking forward to your review on video. As a event videographer, I'm really excited to get my hands on one of these bad boys.
  • plonk420 - Thursday, December 4, 2008 - link

    too bad it's "just" 1080p30 (not 24/25) ... at least last i'd heard. the petition seemed to be going places, but not sure if Canon was listening.

    i can't stop whoring out this short film shot on it (with no post production other than audio and titles): http://www.vincentlaforet.com/">http://www.vincentlaforet.com/

    Nikon HD video on-camera what?
  • shangshang - Thursday, December 4, 2008 - link

    AT has become Ritz Camera galore. I can't remember the last time I actually took a meaningful picture.

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