Simplicity, ROT, Lines & Curves

Simplicity

Before discussing ways to compose an appealing image, you must first have a clear idea of what you are shooting. Before framing a shot, ask yourself, "What is/are my primary subject(s)?" By asking this question, you should also begin to understand what you are not shooting. For example, look out for distracting scenery or objects that might compromise the prominence of your primary subject. By mentally defining your subjects and "non-subjects", believe it or not, you have already begun composing your shot. Now, you can begin framing your image in the viewfinder or LCD screen.

One of the first ideas that we will discuss is to simplify the arrangement so that your viewer's eyes are immediately drawn to the subject. For example, you do not want a bunch of excess clutter around the edges of the frame that simply would detract attention from the main subject. One way to remove unnecessary clutter is to change your shooting position or to use your camera's zoom. In the example below, the image on the left has a significant amount of clutter on the bottom of the frame. Additionally, there are some distracting bits on the left and right sides. In this circumstance, we were unable to move closer to eliminate the clutter. However, we did have the ability to zoom in further to achieve the more striking and simple image on the right.


In the image below, we have employed another commonly used simplification method - simply, to fill the frame. By doing this, we have effectively eliminated elements that could be in competition with the subject. Other than moving or zooming to exclude objects, you can also eliminate background clutter by selecting a large aperture setting on your camera. As a result, you create a small depth-of-field, thereby blurring the background and detracting attention from it.


In any case, simplifying your composition will make your pictures much more effective. It gives the viewer's eyes an easier time of finding your subject, which also means instant impact.

Rule of Thirds

Keeping simplicity in mind, we can move on to some other major compositional themes. No composition article would be complete without covering the "Rule of Thirds" (ROT). Most people are immediately discouraged by hearing about a "rule" in photography. Photography is supposed to be creative and fun. Why discuss rules? Instead of thinking of the ROT as a rule, think of it as an element that is commonly seen in nature, art, and most importantly, good photography. The ROT basically states that there are imaginary lines: two horizontal and two vertical running through every picture. Each line is situated a third of the way into the frame from all sides. The 4 points where these imaginary lines intersect are where subjects should be situated.

Below is an example of the ROT in action. Notice that the eyes and head of the subject are centered at the upper-right intersection.



Hold mouse over image to see ROT lines


The ROT can also be used in composing landscape shots by placing the horizon along one of the lines. In this example, both the tree and the horizon are situated on the lines.



Hold mouse over image to see ROT lines


To see more pictures that use the ROT as an underlying compositional tool, take a look at some of your favorite pictures. You will probably find that the imaginary ROT lines are at work in many of the pictures you find appealing. In most circumstances, pictures with subjects along the ROT intersections/lines simply look better than other pictures. You should by no means take this "rule" to be the ultimate decider of good pictures; the ROT is simply a common compositional tool. Do some experimentation with the ROT in your own pictures. Whether or not you choose to use it as a primary compositional tool, you should at least be aware of its presence.

Lines and Curves

Lines and curves can be used to direct attention to subjects and to give form to a picture. You will find lines everywhere as you are out shooting. If you are aware of them, you can incorporate them into your compositions to improve your pictures. Below are two examples of how lines can be used:



In the first image, the lines formed by the mountains lead into the main subject (the tree and chairs). In addition, the tree branches themselves bring attention down to the lower right portion of the frame. In the second image, the fallen tree and the railroad track lead the viewer's eye to the subject in the upper-left corner. Another great way to make your pictures interesting is to use curves. Below is an example using the popular "S" curve.


In the picture above, the "S" curve, along with the downward slope of the hill, add a certain dynamic to the picture that gives the viewer a sense of movement and rhythm. There are many who think that the "S" curve makes for the most beautiful pictures. At the very least, any camera-wielding photographer would be hard-pressed to pass up the opportunity to shoot one of these curves.

Index Balance and Space
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  • kcma - Friday, November 19, 2004 - link

    i'm a photographer, and i think articles and books like these are just silly... it's like, guide to become creative!! or shortcuts to becoming smart!!

    you learn to compose by paying attention to your photos, and receive feedback from others. there are too many websites out there where you will get valid crits. follow a guide to compose creatively will only let you compose as creatively as the writer and everyone else who read it.

    of course, no one will listen to me, and just think, "wow, bookmark the guide, my photo bible is here!!" have it your way, it's your photos, i'll do my job and you do yours :)
    Reply
  • Dustswirl - Friday, November 19, 2004 - link

    Very good article! now i see opportunities to take pics that were all around me all the time!

    I hope there will be hints on shadows/contrasts, their use and their problems in the next article!
    Reply
  • Calin - Friday, November 19, 2004 - link

    I can hardly wait for the second article in the series. I've sent this to some people I know, it's certainly worth reading

    Calin
    Reply
  • Seemann - Friday, November 19, 2004 - link

    Pretty good article. I'll remember when I take some photos. Reply
  • apriest - Friday, November 19, 2004 - link

    Some VERY good pictures there Stephen! Good article too. I especially liked the three pictures on the last page. Great first article for this series.

    Aaron Priest
    aaron@coastaltech.org
    http://aaronpriest.smugmug.com/
    http://www.coastaltech.org/photography.htm
    Reply

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