The last time we talked to the VESA was back in September, where the association announced their long-awaited DisplayPort 1.3 standard. Introducing a newer, higher signaling rate technology (HBR3) to drive higher resolution and higher refresh rate panels, DisplayPort 1.3 was targeted at driving newer display configurations such as 5K displays, multiple 4K displays via MST, and 8K displays with lower resolution 4:2:0 chroma subsampling.

Now 5 months later, the VESA and its partners are applying the same technology upgrades and more to the Embedded DisplayPort (eDP) standard, which today is being updated from 1.4 to 1.4a. The mobile counterpart to the standard DisplayPort standard, eDP defines a slightly different standard for laptops and other portable devices, with additional implementation details and features to better fit (and directly drive) mobile displays. Meanwhile despite the unassuming name change for this latest version, the introduction of eDP 1.4a is in practice a very substantial upgrade to the standard, introducing not only higher bandwidths but also new technologies that did not make it into DisplayPort 1.3.

From a bandwidth perspective, eDP 1.4a adds the HBR3 signaling mode from DP 1.3, giving eDP 1.4a the same 8.1Gbps/link data rate and the same ability to drive displays up to 5K (5120x2880) in resolution losslessly. While we’re unlikely to see 5K panels in laptops any time soon, this development is still important as the VESA and its members have other uses for the higher link speeds.

Joining HBR3 in this new version of eDP is support for the VESA and MIPI’s Display Stream Compression technology, which was first announced last year and has been in development for some time. With DSC, the VESA is tackling the display bandwidth problem from the other direction, focusing on reducing bandwidth needs through the use of a lossy, high quality “visually lossless” compression algorithm. Using a fixed rate codec with a series of different compression modes, DSC can reduce display bandwidth needs by as much as 3:1 (66%) while still retaining what should be a high quality image. DSC missed the initial cut for DisplayPort 1.3 last year, and as a result is finally making its debut in eDP 1.4a.

In the case of eDP 1.4a, it’s only with the combination of HBR3 and DSC that the standard delivers on its greatest benefits. By ratcheting up link speeds while simultaneously reducing bandwidth needs, the VESA is looking to reduce the number of links that displays need to implement to deliver a similar image, reducing the amount of power that must be spent on links and frame buffers. Though DSC and HBR3 add their own overhead to link operation, TCONs, and display controllers, being able to reduce the number of links should save more power than the new technologies cost due to the relatively high power costs of differential signaling, allowing device manufacturers to work on a sliding scale between bandwidth and power savings.

Meanwhile HBR3 + DSC also offers an alternative to using lower chroma subsampling resolutions to drive 8K displays, replacing the loss in chroma resolution with DSC. As with 5K panels, 8K panels are unlikely to appear in laptops, however this scenario would be applicable to devices with integrated displays such as All-In-One PCs and similar devices. Consequently while DSC didn’t make the cut for DisplayPort 1.3, we wouldn’t be surprised to see a DisplayPort 1.3a standard a bit farther down the line that adds DSC support, as eDP and DP often cross-pollinate on new technologies (HBR, Panel Self Refresh, etc).

Finally, eDP 1.4a also introduces one other feature not found in any previous DisplayPort standard: Multi-SST Operation (MSO). A kind of MST on steroids, MSO allows for the links in an eDP connection to be split up to drive separate panel segments/tiles, rather than teaming up all of the links and multiplexing the signal for all of the segments via MST. Though this doesn’t save in the number of links required, going this route allows for each tile to have a simpler TCON that doesn’t need to be able to handle the full bandwidth and complexity of a 4 link MST setup. Proposed by Samsung, MSO should drive down the cost of the TCONs required, along with the power/heat/space benefits that come from using simpler TCONs.

Wrapping things up, the VESA says that they expect the first eDP 1.4a devices to appear in 2016, in-line with the roughly 1 year window between standard adoption and device implementation that has followed previous DP standards. However I’m hoping we’ll be able test devices sooner than this, as we are very curious just how well DSC will work in practice and what the real image quality tradeoff will be for using it.

Source: VESA (Via SH SOTN)

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  • CSMR - Wednesday, February 11, 2015 - link

    Why not just use multiple interconnects for 8k. The market for 8k will be extremely small and can afford to have multiple cables and even graphics cards to drive.
    Fulldome will be the main application of 8k but if you can afford a fulldome then you can afford 2-4 cables.
    Reply
  • Xenonite - Wednesday, February 11, 2015 - link

    I agree completely. What really ticks me off is the reason they gave for basically giving up on keeping the same pace of bandwidth improvements: POWER.

    The same excuse that killed single-core CPU improvements and is even starting to affect the performance of the highest-end GPUs, has now apparently also infected the display chain.
    Now sure, in mobile devices every saved watt counts, but using that as an excuse not to engineer more powerfull desktop solutions really makes me worried for the future of the entire industry. I strongly suspect that the quest for ever thinner display connectors, together with this no-power initiative, is going to cap display performance well below the true "retina" limit of 20/8 at any refresh rate appreciably higher than 60Hz.

    On the bright side:
    "Meanwhile HBR3 + DSC also offers an alternative to using lower chroma subsampling resolutions to drive 8K displays, replacing the loss in chroma resolution with DSC." Now we just need the rec.2020 standard to stop recommending that 4:2:0 subsampling be used as default for all UHD multimedia recordings, but I wouldn't hold my breath for that either.
    Reply
  • AnnonymousCoward - Thursday, February 12, 2015 - link

    This is eDP--not an "excuse not to engineer more powerful desktop solutions". Reply
  • Etsp - Wednesday, February 18, 2015 - link

    It's not an excuse, and the problem of DP needing more power is separate from the clock speed limitations on the CPU. In the lab, silicon transistors can switch at 50GHz. In practice, it requires more power than can be effectively dissipated in an actual processor.

    For the ability to transfer information from one point to another, the Noisy-channel coding theorem applies. It basically determines how much bandwidth is possible through a channel where noise is present (which is everywhere.).

    To get more bandwidth, you either need to raise the power of the signal, use more channels, or lower the noise. We're approaching the limits of copper in terms of how low the noise floor is and how many frequencies we can use to carry a signal. The only other variable that isn't facing significant diminishing returns is upping the signal strength, which requires more power. The alternative is to have more wires in the cable, or to use a different medium (Like optical).
    Reply
  • Fergy - Thursday, February 12, 2015 - link

    I would give up picture perfect if I can get 120-144Hz. Twice as many pixels per second looks a lot better than having every pixel perfect. Unless you are a graphic designer of course. Reply
  • thingi - Wednesday, February 11, 2015 - link

    A “visually lossless” lossy codec. If that isn't an oxymoron I don't know what is. Reply
  • nevcairiel - Wednesday, February 11, 2015 - link

    You may think so, but visually lossless or audibly lossless (for audio) are very common terms to use, and make sense (even if some people don't like having them)

    If a human cannot discern the difference, its visually lossless, even if there are tiny mathematical differences from the compression. Its as simple as that.
    Reply
  • jerwood - Wednesday, February 11, 2015 - link

    The lossless audio codecs like FLAC and Apple Lossless are actually lossless, like a zip file. Reply
  • althaz - Wednesday, February 11, 2015 - link

    Yes and they aren't distinguishable from properly encoded MP3s (although the properly encoded part is why I only buy CDs and lossless) - this has been shows in double blind trials. Reply
  • thingi - Sunday, February 15, 2015 - link

    There are very distinguishable differences between MP3's & FLAC's. However it isn't until you move up properly mastered 96/24bit audio file running though to a decent external DAC that they become hugely apparent even in double blind testing.

    Stuff mastered for CD already had loads stripped, mp3 compression didn't make much difference at that point because it'd already gone.

    So my point stands, a “visually lossless” lossy codec is an oxymoron.
    Reply

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