We briefly discussed watermarking schemes in the previous section. Cinavia, from Verance, is an audio watermarking scheme which has ended up inconveniencing a number of consumers. In particular, owners of the PS3 have been vocal enough to warrant the appearance of sites dedicated to bypassing the Cinavia triggers on the PS3. What exactly is the Cinavia watermark? How is it embedded in a soundtrack? When does a consumer encounter the watermark? What is the result when the encounter happens? These are some of the questions we will try to answer in this section.

Verance's DVD-A Watermark

Verance is no newcomer to the audio watermarking market. DVD-Audio adopted their technology in the late 90s. Audio watermarks can be robust or fragile, and Verance's DVD-A watermarking scheme as well as Cinavia belong to the former category. Robust watermarks can't be destroyed by digital-to-analog conversion, re-encoding or addition of small amounts of noise to the track.

In fact, Verance was one of the companies involved in the infamous Felten-SDMI Challenge case, where Prof. Edward Felten was threatened with legal action if he wanted to discuss how Verance's DVD-A watermark scheme (along with a host of other audio protection schemes) was deciphered and overcome. Readers interested in the full technical details of Felten's attack in the SDMI challenge can peruse this paper [PDF] presented at the 10th USENIX Security Symposium. In short, Verance's watermarking scheme involved frequency domain modifications, hiding multiple time-varying echoes. Note that the human ear is not sensitive to echoes involving speech and music where the delay is less than 50 ms. In fact, only echoes with a time difference of 100 ms or more become annoying. Verance's scheme involved echoes with delays varying between 0.5 ms and 1.75 ms, rendering them indecipherable to the human ear. By placing these echoes regularly in an audio track, it is possible to detect the watermark in any clipped segment.

Cinavia

In the DVD-A watermark discussed in the previous subsection, Verance could have different echo patterns to indicate different watermarks. Though we don't have the exact details, it is widely believed that Cinavia could be something similar. The fundamental requirement for Cinavia is the presence of a watermark detector in the playback device, i.e, when a Cinavia-infected audio track is being processed, the system must be able to identify the presence of the watermark pattern.

There are at least four different Cinavia watermarks to identify the following situations:

  1. Professional content (say, copies of movies made in a theater) being played on an unlicensed device (say, a Blu-ray player at home)
  2. Professional content being copied using an unlicensed device
  3. Content being played back on an unlicensed device
  4. Content being copied from an unlicensed device

Scenarios (2) and (4) result in copying being stopped. They are comparatively rare (not many users use devices with the watermark detector to copy content). However, scenarios (1) and (3) are more common. Currently, Cinavia audio watermarks are embedded in the audio track(s) of some Blu-ray movies and a number of theatrical releases. The type of watermark in each of these cases is different. While the watermark in the first case may lead to Scenario (1), the second case may lead to Scenario (3).

We set out to observe Cinavia in action. Our first two test cases involved Blu-ray backups of the movies 'The Losers' and 'Battlefield LA' with re-encoded audio and video tracks. The files were played back on a PS3. The third scenario was triggered in both cases. In the former case, the triggering was within a minute, but took more than 20 minutes in the latter case.


Cinavia - Message Code 03 - The Losers by anandshimpi


Cinavia - Message Code 03 - Battlefield LA - 20... by anandshimpi

The current PS3 firmware has the Cinavia watermark detection routines. When the audio track of a file being played back has the Cinavia watermark for Scenario (3), the PS3 usually waits for 20 odd minutes before muting the audio. This scenario is also triggered when lossless backups of Blu-rays are played back. For example, some Blu-ray players have the ability to play back unprotected ISOs (created with AnyDVD HD or DVDFab) or MKVs (created with MakeMKV) which don't even have re-encoded audio / video tracks. These are the most common form of backups used by legitimate Blu-ray consumers. I will touch upon the need for such backups in a later section, but suffice to say that any discs with Cinavia backed up in such a manner (i.e, with the AACS protection removed) will trigger the muting of the audio on Cinavia-enabled Blu-ray players.

Our third test case involved a 5 minute sample clip from a CAM print of the movie 'The Wolfman'. For those not familiar with scene releases, the Wikipedia article explains about the scene and the various qualities in which scene releases are available. A CAM print is made using a camcorder in a theater. The audio can be either recorded using a microphone or explicit line input. In the latter case, the audio track doesn't have a lot of noise. However, our sample clip had very noisy audio, and in all probability, the audio was recorded using a microphone. Within a few seconds of starting playback of the file on a PS3, Scenario (1) was triggered. Playback automatically stopped with the appropriate error message.


Cinavia - Message Code 01 - The Wolfman by anandshimpi

Cinavia and Blu-ray Players

One of the common aspects in the above three videos is the fact that both of them involved the use of a PS3 as the media player. Currently, Cinavia watermark detection is mandated only in the AACS licensing agreement. This means that only players which are licensed by the AACS are required to have this detection routine. An update to the AACS licensing agreement indicated that all players sent to the BDA (Blu-ray Disc Association) for licensing after February 1st, 2012 should have the Cinavia detection routine embedded in the firmware. There is no legal licensing requirement for previously certified players to include Cinavia in firmware updates, but, if the manufacturer wishes to do so, there is nothing to prevent them from doing so.

Note that the licensing requirement doesn't state that all players sold after February 1st, 2012 need to be Cinavia-enabled; it is only those sent for certification after that date. This means that a number of Blu-ray players (older models) will continue to be sold in the market without Cinavia for some months to come. The BDA certification process involves putting each applicant through a rigorous test suite to ensure that all Blu-ray features are properly supported. Since Cinavia is a recently introduced licensing requirement, it is not clear when the Cinavia tests will become part of the BDA certification test suite. We spoke to some industry insiders who stated (on the conditions of anonymity) that it will be at least another 8 - 12 months before the BDA certification test suite starts testing for Cinavia compliance. They also indicated that they fully expect players to be certified in the meanwhile without Cinavia in the firmware.

Cinavia is particularly worrisome for DMAs (Digital Media Adapters) that have also licensed Blu-ray capabilities. Examples of such units include the Popcorn Hour C300 from Syabas, the Dune Smart series from HDI, and players such as the Kaiboer K860i / Asus O!Play BDS-700. Fortunately, all of these units have already obtained BDA certification. However, it will be interesting to see how they tackle the Cinavia issue in the next generation units. DMAs are quite popular because of their ability to play networked media of all types (be it Blu-ray backups in ISO / MKV format or downloaded content). Cinavia throws a spanner in the works for such units. As we demonstrated earlier in this section, audio either gets muted or playback stops completely, depending on the media source.

In the next section, we will present some comments (in the hope that people in the AACS LA and BDA are paying attention), and leave it to them / readers to decide whether Cinavia really helps as an effective DRM measure.

DRM Measures in Blu-rays Analyzing Cinavia
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  • Exodite - Wednesday, March 21, 2012 - link

    Ditto for Sweden.

    I often lament the complete lack of legal, and convenient, ways of accessing digital media.

    I pay for cable access but frankly I download all my shows as it's simply that much more convenient.

    I wouldn't mind paying a reasonable amount, say what I'm currently paying for cable, for access to digital media in a timely and convenient manner.

    It's not happening though, which is why my shows come off the 'net and my movies are bought in hard-copy Blu-rays.
  • Penti - Friday, March 23, 2012 - link

    Lovefilm is pretty much none existent no matter country. You can pretty much forget about any such service in EU/EEA, it's to regionalized and oligopoly oriented which basically forms distribution monopolies not even Mussolini could fatom, it's further exacerbated by the music rights which is also negotiated at a national level making it impossible to even stream stuff you own the rights for to different countries, all at national levels and too many content distributors to deal with. It's the only one field that isn't fully included in the common market. Any other service, software, games and books is fine doing cross border with no local agreements at all. Amazon sells us EU citizens about 1 million ebooks for example. I think Lovefilm in UK where most movie and TV rights go trough when they are sold to us, still has about 6000 titles on the streaming instant on version. It's nothing nothing at all compared to Amazons over 100 000 titles in the states.

    Even if companies in London say sell TV-rights to another country there are still some shows/networks that will have local distributors where they have been granted a monopoly over a region making it impossible to get the rights for your territory and means you can't just go to the creators and official distributors and so on. Companies in London sometimes even releases DVD's with Scandinavian subtitles but aren't allowed to sell their own movies/releases in those countries if somebody else own the regional rights, which means they might not end up doing a release at all or will be doing their own technical inferior one. Subtitling is definitively not an issue at all here.

    Services with 2000-6000 titles is pretty much useless, you can't subscribe to your favorite show or see the movies you like. Your better of subscribe to some physical dvd/bd disc rental service where the offering is better. I don't know of a EU country where that isn't true at least. In US Netflix physical service of course has worse catalog then Amazon VOD and Netflix on-demand offerings.
  • Johnmcl7 - Wednesday, March 21, 2012 - link

    Netflix has just launched here and the pricing is very good but the selection unfortunately isn't, Lovefilm instant are meant to have a slightly better selection but the market is still quite a bit behind the US. I prefer buying my films on blu-ray for the quality and not having to worry about bandwidth but I could certainly see myself using something like Netflix for films I fancy watching as one-offs.

    John
  • LancerVI - Wednesday, March 21, 2012 - link

    I agree. They are promoting their own death.

    Ten years from now, physical media will be all but gone IMHO.

    Maybe they want it this way. After all, streaming gives absolute control of the content to the provider, not the consumer.
  • Anonymous Blowhard - Wednesday, March 21, 2012 - link

    > Maybe they want it this way. After all, streaming gives absolute control of the content to the provider, not the consumer.

    Bingo. They'd rather you rent it every time you want to watch it than be able to buy once and watch it forever (after the requisite 15 minutes of unskippable preview, fluff, FBI warnings, etc. See the "pirate dvd" image below :) )
  • Hrel - Wednesday, March 21, 2012 - link

    If you are displaying it on a screen, streaming from the internet, local network, secured VPN, DVD, Blu Ray or anything else. You can make a copy of that movie in full quality. That's the bottom line, there's literally nothing you can do to stop that.

    If the filthy rich movie studios want to stay in business they need to just "trust" (Huh, I KNOW what a fucking concept) that the people who can afford to pay for their content will. Because they honestly WANT to support the people who made the content they like, and want more of it. This means no DRM of any kind, it doesn't work, so it's just a waste of money. And, this is the big one, lowering prices. A LOT. I don't mean instead of releasing at 25 dollars USD release at 20, I mean release at 5, and let it drop RAPIDLY!!!

    Get with the times. I don't even own DVD's anymore, I have 6TB of external storage, with redundancy. I don't want 5000 physical cases laying around my house when I can have ONE NAS. If there's no physical media to buy, just a digital copy you download off the internet. That means there's less cost. No disc, no case, no artwork for either. No shipping and no middle man. (The retailer selling the physical media). Meaning digital copies should be quite a bit cheaper, not the same price, not even close.

    It seems like perfectly clear common sense to me, and everyone I've seen on reddit or any other online forum. How out of touch do studio execs have to be to continue trying to hold on to how things were in the mid 1900's and on? Seriously, it's 2012, move on.
  • cmdrdredd - Wednesday, March 21, 2012 - link

    no....

    Stream dual 1080p video for 3D with a DTS-HD MA audio track and then MAYBE....You can't stream that off netflix or hulu. The bandwidth coming from a Blu-Ray is much higher than you could stream on most internet connections.

    " The net result is that almost every new Blu-ray fails to play back on a player if it doesn’t have the latest firmware updates."

    Wrong buddy...I have a first gen Samsung Blu-Ray player and haven't ever once had a disk not play. Some load slowly, but that's because the drive is not as speedy as newer models. Everything works though and always has.
  • Botia - Wednesday, March 21, 2012 - link

    I have started timing how long it takes to get bluray movies to play from the time the disc is inserted until the time when the main movie is playing. Any thing possible to speed up the process is done, such as using the disc menu, next track, fast forward, etc.

    What I have found is that it takes on average 15 minutes to start a movie. In our age of instant gratification this is nauseating. One movie took 2 hours before giving up. It insisted on downloading previews from the Internet and playing them. While the picture and sound quality is significantly better than other media, the user experience is so far behind. How do they expect to survive?

    One special note, Transformers: Dark of the Moon started up almost immediately. Thank you!
  • Colin1497 - Wednesday, March 21, 2012 - link

    We actually got a movie the other day that wouldn't let us skip ANY of the previews, and to top it off, we were interrupted watching it had to reboot it and wait through all the previews a second time. The studios really know how to make everyone hate them.
  • superccs - Wednesday, March 21, 2012 - link

    It takes less effort to pirate the movie you want to watch then to get it through any other source.

    This is like going to a nice expensive restaurant not get seated promptly, having the service suck, and food take forever. So you go home and make whatever you originally wanted off their menu and tip yourself handsomely.

    Why should anyone pay for an inferior product/service especially when you are trying to attract the business of a bunch of cooks.

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