UPDATED: New full-size image downloads are included for the Sony A350, Canon 5D and Pentax K20D at a constant f4.0 at all ISO settings. Crops on page 6 are now actual pixels with no size reduction and were extracted from the updated images.

When Sony secured victory for Blu-ray a couple of months ago, it was difficult not to reflect on the Betamax vs. VHS battle that Sony lost many years ago. Those around at the time will remember that Betamax was the superior format but VHS won with licensing, availability, and lower prices. The Blu-ray victory was quite a contrast - this time being promoted by Sony who secured the exclusives they needed to assure Blu-ray the winner. As with VHS, however, it appears in the short term that the inferior format won again as Sony is only now introducing features to Blu-ray playback that were introduced with HD DVD almost two years ago. Those who review technology often see less capable technologies win based on dollars thrown into promoting a product and buying distribution channels.

Why does this matter in the Digital SLR market? It doesn't as far as DSLR reviews are concerned, but it does put into perspective the fact that Sony is a massive player in the electronics arena, and Sony plays (and pays) to win. When Sony absorbed Minolta it wasn't long until the A100 launched the 10MP (megapixel) wars, even though the A100 was in reality a Minolta 5D upgraded with the new Sony sensor. Great things were expected after this first foray, but it took Sony quite a while to begin putting their stamp on the DSLR market.

Last October the A700 prosumer Sony launched with a new 12.2MP CMOS sensor and 5FPS burst speed in a rugged magnesium semi-pro body. The A700 is still based on the Minolta 7D digital SLR but it is more "Sony" than the A100. This was followed at January CES with the A200 update to the A100 - now targeted at a street price of $599 with a kit lens. A month later at PMA, Sony surprised the market with two more entry level digital SLR cameras that feature what we found to arguably be the best Live View in any SLR.

No one else in the DSLR market has introduced so many new cameras in such a short period of time. There are now Sony entry models at $599, $699, $799, and $899. The A700 is $1399 to $1499, and Sony isn't finished yet. A new Pro level 24.6MP full-frame (presumably to be called the A900) will launch later this year. New Sony DSLR cameras are everywhere, and to their credit, Sony has found ways to differentiate the three entry models.

The A200 shipped about a month ago, and today we are taking a first look at the top entry-level Sony called the A350. It is the only entry-level SLR with a huge 14.2MP sensor, but unlike most recent DSLR sensor introductions, this one is CCD and not CMOS. The A350/A300 are also the only entry DSLR cameras with a tilt LCD. This is coupled with fast AF Live View, which moves that feature to a full-time view alternative with fast auto focusing. Most of the recent DSLR cameras feature Live View that was pioneered by Olympus, but Sony takes the feature from checklist novelty to a truly useful viewing alternative. This makes the transition easier for point-and-shoot users accustomed to Live View composing with the LCD screen.

Current Sony Lineup


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  • Wesley Fink - Saturday, April 5, 2008 - link

    Can you please post a link to the $30 price for the Sony NPFM500H battery? The battery for the new A700, A350, A300, and A200 is the same, but it is different from the earlier battery for the A100. The earlier A100 battery is both cheaper and available as a cheap generic, unlike the FM500H so far.

    I just checked and Amazon has a price of $54 with an "Out-of-Stock" for 1 to 2 months. Sony Style is $69.99. If it is now available for $30 ANYWHERE I'm sure a lot of Sony users would appreciate the link.
  • 0roo0roo - Saturday, April 5, 2008 - link

    typical sony arrogance. i would not give such a camera a second look because of the battery alone. Reply
  • Wesley Fink - Saturday, April 5, 2008 - link

    The battery price was pretty annoying to a pot of posters on Forums and I thought it should definitely be discussed as most buyers don't discover this "gotcha" until after their purchase. As we mentioned, with Sony using the same expensive battery in all their new DSLRs there is some hope for a reasonably priced OEM battery in the future - unless Sony has something in the technology completely tied up with patents.

    Interestingly chargers for the old A100 battery work fine with the new FM500H. It appears the A100 batteries would work fine in the new cameras if they had the center groove that is on the FM500H. Perhaps some enterprising Asian source will come up with a battery at a decent price that will work in the new Sony cameras.
  • danddon - Friday, April 4, 2008 - link

    I’m sorry, but I just couldn’t resist helping out Mr. Fink with his K20D technology – in particular, the 14.6 megapixel CMOS sensor.

    Just a few searches on the net uncovered the Pentax marketing material that describes this sensor, as well as a slide from an Asian presentation showing the structure and size of the individual photosites of the sensor.

    Unfortunately, this material only proves that my method of calculation of photosite area was correct: the Pentax sensor has a photosite size of 5 microns, with an intersite gap of .13 microns. I said we should ignore this gap, because it is difficult to find the exact dimensions for all sensors in the literature.

    I did not calculate the size of the photosites for the K20D sensor, but, for the sake of clarity and completeness:

    23.4mm/4672 pixels = 5.009 microns
    15.6mm/3104 pixels = 5.026 microns

    Please note that this number should really be 5.13 microns, so my calculation is not 100 percent accurate. However, I felt it close enough for the purposes of this review. I will leave it to the reader to be the final judge.

    What Mr. Fink was really referring to was the size of the photodiode at each photosite. The photodiode, as we all understand, is the device that actually does the conversion of the incoming photons to electrical energy. And, as we all understand, since it is not yet technically possible to construct a photodiode that covers the entire photosite, a microlens is placed over the top of the photosite assembly to focus the incoming photons onto the active area of the photodiode.

    With good engineering, the combination of the structure of the microlens and the size of the photodiode, will result in an approximation of a photodiode that effectively covers the entire photosite. Of course, each manufacturer has their own techniques for optimizing this approximation, and probably much of the engineering could be considered a trade secret.

    I tried to avoid all this complication by simply giving Mr. Fink the benefit of the doubt, and assuming in my calculation that the photodiode did, in fact, cover the entire photosite area. I thought this was in keeping with the tenor of the review itself, and subsequent discussions in this forum – keep it simple.

    What Pentax claims to have achieved is a photodiode size that is larger than the photodiode size of the Sony A700 12.2 megapixel sensor. This size is measured as being 40 percent of the area of the photosite, which would be 40 percent of 25 or 10 sq. microns. I will give them and Mr. Fink that. However, this does not change the size of the photosite itself, which is: 5 microns.

    Finally, Mr. Fink claims early in his response – “… the photosite size for the K20D does not scale as you indicate.”

    I can only refer Mr. Fink to the folks at Samsung/Pentax, as well as to at least two other photography sources. These people would say that , in fact, yes - it does. And, I am constrained to point out – as my own calculation suggests.

    But, I fear I have gone far, far astray from the original intent of the review, which was to simply look at the crops and determine the comparative noise attributes. Maybe I will try that sometime in the future, but don't hold your breath.
  • jake123 - Saturday, April 5, 2008 - link

    Danddon, I doubt if you even knew the difference between a photodiode and photosite beforehand.

    But a clarification of terminology is a good thing.

    Also, you should just compare the photos as Wesley tells you and judge for yourself.
  • danddon - Saturday, April 5, 2008 - link

    Actually, Jake123, I didn't even know what a digital camera was until I happened upon the AnandTech site. But, I am trying to learn.

    I have used the instant film cameras on occasion, but only when I could sell enough cans and bottles from my shopping cart to pay for them.

    Thank you for your helpful words of advice, and appreciate your patience. I will be comparing those photos as fast as my limited intelligence will allow.

    I apologize if my feeble attempt at technology was not appreciated. I hope you weren't too offended.

  • Wesley Fink - Friday, April 4, 2008 - link

    What is your point? The article does not mention photosite size except in passing. Did you really expect an in-depth treatise on the impact of photosite size in the front page discussion Forum of this review? There are many variables that affect the ability of a pixel to respond to light and the size of the pixel is one of them. It is important, but it is not the only variable, as you well know.

    The K20D and Canon 5D are CMOS sensors and the Sony A350 is CCD. I can point to articles at respected sites in the past who argued that CMOS sensors would always be inferior to CCD. Of course the entire Canon line is now CMOS, and all the new sensor introductions have been CMOS except this Sony 14.2 sensor. Even the A700/D300 is CMOS. Obviously manufacturers found ways to get around the inherent limitations of CMOS sensors. Photosite or pixel size is another inherent limitation.

    The images are there for you to decide for yourself. If they aren't controlled enough for your liking you can perhaps find what you seek elsewhere on the web. Thank you for your research and for bringing your findings to my attention.
  • Barbu - Friday, April 4, 2008 - link

    Last time I checked, being a PRO meant that you got your rent, your car and your equipment paid from the photography job. Mr. Fink might try to pose as a PRO, but no professional photographer would go on semi-auto mode in low-light. Really, that sentence looks like a high-school brag and for the real pros it's simply laughable.
    It's sad to see that the author ran out of valid reasoning and ended up using his fists to defend his... opera.

    People, try to get this: even if the article is written in layman's terms, it has no practical value; mistakes over mistakes, and any beginner would make *different* mistakes or sub-optimal settings; the article is simply not relevant *for anybody*, enthusiast, prosumer, amateur or plain beginner.

    I'm almost certain of a thing: there would be no more polite replies, so I won't continue this thread. But (as many others will do) I'll have a very critical eye for WF's next articles, and any further error in dSLR testing will be sorely pointed out; the consequence will either be building mistrust in Anandtech (wich is a shame, considering the other very good articles), or -as an alternative- the author will be guided to other... workplace.
    So, Mr. Fink: be very careful, you're watched.
  • Maxington - Saturday, April 5, 2008 - link

    I've never seen a post more full of horrific levels of "YOU'RE NOT A PRO PHOTOGRAPHER" snobbery.

    Ken Rockwell is a pro photographer based on your criteria, and I'm not sure if he even knows how to take a photo in anything but full-auto, jpeg mode. And he reviews cameras!
  • Deadtrees - Saturday, April 5, 2008 - link

    I agree Ken Rockwell doesn't know much yet reviews cameras. That's why he became a joke when it comes to camera reviews. Same mistake is being made right here on Anandtech.
    Not only that, Ken Rockwell is known for his huge ego. That, too, is quite same with the reviwer here on Anandtech.


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