We briefly discussed watermarking schemes in the previous section. Cinavia, from Verance, is an audio watermarking scheme which has ended up inconveniencing a number of consumers. In particular, owners of the PS3 have been vocal enough to warrant the appearance of sites dedicated to bypassing the Cinavia triggers on the PS3. What exactly is the Cinavia watermark? How is it embedded in a soundtrack? When does a consumer encounter the watermark? What is the result when the encounter happens? These are some of the questions we will try to answer in this section.

Verance's DVD-A Watermark

Verance is no newcomer to the audio watermarking market. DVD-Audio adopted their technology in the late 90s. Audio watermarks can be robust or fragile, and Verance's DVD-A watermarking scheme as well as Cinavia belong to the former category. Robust watermarks can't be destroyed by digital-to-analog conversion, re-encoding or addition of small amounts of noise to the track.

In fact, Verance was one of the companies involved in the infamous Felten-SDMI Challenge case, where Prof. Edward Felten was threatened with legal action if he wanted to discuss how Verance's DVD-A watermark scheme (along with a host of other audio protection schemes) was deciphered and overcome. Readers interested in the full technical details of Felten's attack in the SDMI challenge can peruse this paper [PDF] presented at the 10th USENIX Security Symposium. In short, Verance's watermarking scheme involved frequency domain modifications, hiding multiple time-varying echoes. Note that the human ear is not sensitive to echoes involving speech and music where the delay is less than 50 ms. In fact, only echoes with a time difference of 100 ms or more become annoying. Verance's scheme involved echoes with delays varying between 0.5 ms and 1.75 ms, rendering them indecipherable to the human ear. By placing these echoes regularly in an audio track, it is possible to detect the watermark in any clipped segment.

Cinavia

In the DVD-A watermark discussed in the previous subsection, Verance could have different echo patterns to indicate different watermarks. Though we don't have the exact details, it is widely believed that Cinavia could be something similar. The fundamental requirement for Cinavia is the presence of a watermark detector in the playback device, i.e, when a Cinavia-infected audio track is being processed, the system must be able to identify the presence of the watermark pattern.

There are at least four different Cinavia watermarks to identify the following situations:

  1. Professional content (say, copies of movies made in a theater) being played on an unlicensed device (say, a Blu-ray player at home)
  2. Professional content being copied using an unlicensed device
  3. Content being played back on an unlicensed device
  4. Content being copied from an unlicensed device

Scenarios (2) and (4) result in copying being stopped. They are comparatively rare (not many users use devices with the watermark detector to copy content). However, scenarios (1) and (3) are more common. Currently, Cinavia audio watermarks are embedded in the audio track(s) of some Blu-ray movies and a number of theatrical releases. The type of watermark in each of these cases is different. While the watermark in the first case may lead to Scenario (1), the second case may lead to Scenario (3).

We set out to observe Cinavia in action. Our first two test cases involved Blu-ray backups of the movies 'The Losers' and 'Battlefield LA' with re-encoded audio and video tracks. The files were played back on a PS3. The third scenario was triggered in both cases. In the former case, the triggering was within a minute, but took more than 20 minutes in the latter case.


Cinavia - Message Code 03 - The Losers by anandshimpi


Cinavia - Message Code 03 - Battlefield LA - 20... by anandshimpi

The current PS3 firmware has the Cinavia watermark detection routines. When the audio track of a file being played back has the Cinavia watermark for Scenario (3), the PS3 usually waits for 20 odd minutes before muting the audio. This scenario is also triggered when lossless backups of Blu-rays are played back. For example, some Blu-ray players have the ability to play back unprotected ISOs (created with AnyDVD HD or DVDFab) or MKVs (created with MakeMKV) which don't even have re-encoded audio / video tracks. These are the most common form of backups used by legitimate Blu-ray consumers. I will touch upon the need for such backups in a later section, but suffice to say that any discs with Cinavia backed up in such a manner (i.e, with the AACS protection removed) will trigger the muting of the audio on Cinavia-enabled Blu-ray players.

Our third test case involved a 5 minute sample clip from a CAM print of the movie 'The Wolfman'. For those not familiar with scene releases, the Wikipedia article explains about the scene and the various qualities in which scene releases are available. A CAM print is made using a camcorder in a theater. The audio can be either recorded using a microphone or explicit line input. In the latter case, the audio track doesn't have a lot of noise. However, our sample clip had very noisy audio, and in all probability, the audio was recorded using a microphone. Within a few seconds of starting playback of the file on a PS3, Scenario (1) was triggered. Playback automatically stopped with the appropriate error message.


Cinavia - Message Code 01 - The Wolfman by anandshimpi

Cinavia and Blu-ray Players

One of the common aspects in the above three videos is the fact that both of them involved the use of a PS3 as the media player. Currently, Cinavia watermark detection is mandated only in the AACS licensing agreement. This means that only players which are licensed by the AACS are required to have this detection routine. An update to the AACS licensing agreement indicated that all players sent to the BDA (Blu-ray Disc Association) for licensing after February 1st, 2012 should have the Cinavia detection routine embedded in the firmware. There is no legal licensing requirement for previously certified players to include Cinavia in firmware updates, but, if the manufacturer wishes to do so, there is nothing to prevent them from doing so.

Note that the licensing requirement doesn't state that all players sold after February 1st, 2012 need to be Cinavia-enabled; it is only those sent for certification after that date. This means that a number of Blu-ray players (older models) will continue to be sold in the market without Cinavia for some months to come. The BDA certification process involves putting each applicant through a rigorous test suite to ensure that all Blu-ray features are properly supported. Since Cinavia is a recently introduced licensing requirement, it is not clear when the Cinavia tests will become part of the BDA certification test suite. We spoke to some industry insiders who stated (on the conditions of anonymity) that it will be at least another 8 - 12 months before the BDA certification test suite starts testing for Cinavia compliance. They also indicated that they fully expect players to be certified in the meanwhile without Cinavia in the firmware.

Cinavia is particularly worrisome for DMAs (Digital Media Adapters) that have also licensed Blu-ray capabilities. Examples of such units include the Popcorn Hour C300 from Syabas, the Dune Smart series from HDI, and players such as the Kaiboer K860i / Asus O!Play BDS-700. Fortunately, all of these units have already obtained BDA certification. However, it will be interesting to see how they tackle the Cinavia issue in the next generation units. DMAs are quite popular because of their ability to play networked media of all types (be it Blu-ray backups in ISO / MKV format or downloaded content). Cinavia throws a spanner in the works for such units. As we demonstrated earlier in this section, audio either gets muted or playback stops completely, depending on the media source.

In the next section, we will present some comments (in the hope that people in the AACS LA and BDA are paying attention), and leave it to them / readers to decide whether Cinavia really helps as an effective DRM measure.

DRM Measures in Blu-rays Analyzing Cinavia
Comments Locked

121 Comments

View All Comments

  • haukionkannel - Wednesday, March 21, 2012 - link

    Good point!

    I allso hate those extras and I have paid for that movie! And if pirate can get the movie without those "extra" features... I am really pissed off...
    I allso byumy movies but every time I watch again those extra warning screens I wonder why... I want that movies studio gets my money, thats ok, but I don't want to give up my sanity, by watching all those extras
  • Swirlser - Wednesday, March 21, 2012 - link

    http://www.lauexplorer.com/2010/03/10/products/leg...

    Want me to cough-up for that TV series Im watching atm? Extremely simply answer! Match the convenience level of the above pic (link) coupled with a sane price tag.

    No fancy tech or laws required.

    This coming from a pretty straight laced fellow, who pays his taxes and bills and I think Ive 2 audio tracks out of many, many thousands that were pirated (before the preview extension I pirated to see if I liked, then actually bought it legitimately if I did, deleted if I didnt - the 2 which I didnt pay for are from a certain artist - initials JB >.< - who I couldnt live with myself if I gave him a cent, hes got a *stupid* amount of money already)

    Aside from a certain percent of people who simply refuse to pay for anything they can possibly get for free, I think the vast majority of people would fall into line if you price it sensibly and make it as simple and convenient as possible. Music is there now, films arent far off (speaking more so of streaming, but even physical BDs are coming to a more reasonable price level.) My main beef is TV, the time gap between regions (US content specifically) to view my fav shows is immense and you just cant get up to the minute anything via paid for services (in Ireland), if you could, I'd be all over it.
  • jnmfox - Wednesday, March 21, 2012 - link

    LOL, great minds think alike!
  • Swirlser - Wednesday, March 21, 2012 - link

    Lol! Yeah, thats exactly what I thought of when I read this article.

    Such a shame, the time and money wasted (in vain!) trying to get a small percent and ultimately punishing the legitimate customer is all thats going on here.

    Instead, understand there is a percent (a greater percent I'd be willing to bet good money on) of people who don't enjoy getting shafted and paying crazy money for a film or watch things weeks (or more) after they have been aired else-where and then go about getting it by whatever means necessary, most know a friend or a friend-of-a-friend that has damn near everything and will stream it to you for nothing.

    If Netflix (AFAIK in the US have a better selection - I'm hoping it advances here) or Lovefilm or whoever else runs services here actually had the content (rather than largely ancient stuff which accounts for the bulk on offer currently), I'd subscribe!

    Sadly I know only too well that there are layers of BS at work preventing this to happen, rather than just a greedy A-hole. But the platform is there, the devices are there, the infrastructure is widely available (needs to be expanded further), but it can be done. The obstacles lie entirely with some snotty out of touch publishers and advertisers who seem hell bent on throwing good money after bad. They wont win!
  • ssj3gohan - Wednesday, March 21, 2012 - link

    I haven't viewed a single DRM-protected video in probably over 6 years (I became so incredibly annoyed with VHS/DVD and television advertising/unskippable content and all that) but since my last endeavor with that things have only seem to have gotten worse. I honestly didn't know that there were things like regional restrictions (what the hell?) and the necessity for approved screens (WHAT THE HELL?!?!) to view certain copyright. It just seems really, really out of this world. Cinavia really just seems to be a logical step on the way. I am already calling it: somewhere in a future BD specification they will require physical bd stores to knife any and every customer who buys protected content. The revision after that ensures that this indeed results in death. What the hell are those consumers thinking, buying our stuff? We don't want that, go away! RRRAAaaAAaarghhh!

    If I want to see something, I type it into youtube and I usually get a good idea of the content. I can skip advertising within a couple of seconds, get HD resolution and if I like it, I can subsequently download it legally or, if it's not available in my region for some arbitrary reason (this really seems to be much the norm these days) I can pirate it. That way I don't waste any time on frankly something I am not entertained by in the slightest, I have full control over my own purchases and my viewing behaviour. Just like I had with earlier VHS releases (which had maybe 2 minutes of pre-roll stuff) and subscription VOD services like a lot of starcraft (or in general: gaming-related) stuff.
  • Sanctusx2 - Wednesday, March 21, 2012 - link

    Matroskas, really? I don't understand why the article seems to imply this is the dominant format. MKV is mainly the format you only see with anime, where subtitles and multiple audio streams are much more relevant. The broader video scene has favored avi containers with h.264/xvid encoding for years for everything from cams to blu-ray rips.

    Everytime I read MKV in this article I had to cringe and question the credibility of the author.
  • Spivonious - Wednesday, March 21, 2012 - link

    Why would I sacrifice quality when ripping (which is what h.264/xvid is doing)?

    MKV is perfect if I want to grab just the movie and the main audio track from the disc. No quality loss, and smaller than if I did an ISO or folder structure rip.

    DRM hurts nobody except legitimate consumers. As this article explains, any DRM the providers can come up with is cracked within two weeks.

    The music industry is finally coming around to selling DRM-free tracks. Why can't the movie studios do the same?
  • ganeshts - Wednesday, March 21, 2012 - link

    High definition stuff in AVI? The only ones I have seen are the XViD encodes of Blu-rays and they are very rare compared to H.264 in MKVs.. I will leave it to the other readers to judge for themselves, but my research indicates that MKV is the most common container for high definition stuff and AVIs are suited for standard definition TV recordings and DVDRips / BDRips of 1 and 2CD sizes.
  • iamezza - Wednesday, March 21, 2012 - link

    mkv is definitely the most dominant format for HD content.
    avi is the most dominant for SD content.
  • Iketh - Wednesday, March 21, 2012 - link

    MKV is the future... you sir, are outdated

Log in

Don't have an account? Sign up now