We briefly discussed watermarking schemes in the previous section. Cinavia, from Verance, is an audio watermarking scheme which has ended up inconveniencing a number of consumers. In particular, owners of the PS3 have been vocal enough to warrant the appearance of sites dedicated to bypassing the Cinavia triggers on the PS3. What exactly is the Cinavia watermark? How is it embedded in a soundtrack? When does a consumer encounter the watermark? What is the result when the encounter happens? These are some of the questions we will try to answer in this section.

Verance's DVD-A Watermark

Verance is no newcomer to the audio watermarking market. DVD-Audio adopted their technology in the late 90s. Audio watermarks can be robust or fragile, and Verance's DVD-A watermarking scheme as well as Cinavia belong to the former category. Robust watermarks can't be destroyed by digital-to-analog conversion, re-encoding or addition of small amounts of noise to the track.

In fact, Verance was one of the companies involved in the infamous Felten-SDMI Challenge case, where Prof. Edward Felten was threatened with legal action if he wanted to discuss how Verance's DVD-A watermark scheme (along with a host of other audio protection schemes) was deciphered and overcome. Readers interested in the full technical details of Felten's attack in the SDMI challenge can peruse this paper [PDF] presented at the 10th USENIX Security Symposium. In short, Verance's watermarking scheme involved frequency domain modifications, hiding multiple time-varying echoes. Note that the human ear is not sensitive to echoes involving speech and music where the delay is less than 50 ms. In fact, only echoes with a time difference of 100 ms or more become annoying. Verance's scheme involved echoes with delays varying between 0.5 ms and 1.75 ms, rendering them indecipherable to the human ear. By placing these echoes regularly in an audio track, it is possible to detect the watermark in any clipped segment.

Cinavia

In the DVD-A watermark discussed in the previous subsection, Verance could have different echo patterns to indicate different watermarks. Though we don't have the exact details, it is widely believed that Cinavia could be something similar. The fundamental requirement for Cinavia is the presence of a watermark detector in the playback device, i.e, when a Cinavia-infected audio track is being processed, the system must be able to identify the presence of the watermark pattern.

There are at least four different Cinavia watermarks to identify the following situations:

  1. Professional content (say, copies of movies made in a theater) being played on an unlicensed device (say, a Blu-ray player at home)
  2. Professional content being copied using an unlicensed device
  3. Content being played back on an unlicensed device
  4. Content being copied from an unlicensed device

Scenarios (2) and (4) result in copying being stopped. They are comparatively rare (not many users use devices with the watermark detector to copy content). However, scenarios (1) and (3) are more common. Currently, Cinavia audio watermarks are embedded in the audio track(s) of some Blu-ray movies and a number of theatrical releases. The type of watermark in each of these cases is different. While the watermark in the first case may lead to Scenario (1), the second case may lead to Scenario (3).

We set out to observe Cinavia in action. Our first two test cases involved Blu-ray backups of the movies 'The Losers' and 'Battlefield LA' with re-encoded audio and video tracks. The files were played back on a PS3. The third scenario was triggered in both cases. In the former case, the triggering was within a minute, but took more than 20 minutes in the latter case.


Cinavia - Message Code 03 - The Losers by anandshimpi


Cinavia - Message Code 03 - Battlefield LA - 20... by anandshimpi

The current PS3 firmware has the Cinavia watermark detection routines. When the audio track of a file being played back has the Cinavia watermark for Scenario (3), the PS3 usually waits for 20 odd minutes before muting the audio. This scenario is also triggered when lossless backups of Blu-rays are played back. For example, some Blu-ray players have the ability to play back unprotected ISOs (created with AnyDVD HD or DVDFab) or MKVs (created with MakeMKV) which don't even have re-encoded audio / video tracks. These are the most common form of backups used by legitimate Blu-ray consumers. I will touch upon the need for such backups in a later section, but suffice to say that any discs with Cinavia backed up in such a manner (i.e, with the AACS protection removed) will trigger the muting of the audio on Cinavia-enabled Blu-ray players.

Our third test case involved a 5 minute sample clip from a CAM print of the movie 'The Wolfman'. For those not familiar with scene releases, the Wikipedia article explains about the scene and the various qualities in which scene releases are available. A CAM print is made using a camcorder in a theater. The audio can be either recorded using a microphone or explicit line input. In the latter case, the audio track doesn't have a lot of noise. However, our sample clip had very noisy audio, and in all probability, the audio was recorded using a microphone. Within a few seconds of starting playback of the file on a PS3, Scenario (1) was triggered. Playback automatically stopped with the appropriate error message.


Cinavia - Message Code 01 - The Wolfman by anandshimpi

Cinavia and Blu-ray Players

One of the common aspects in the above three videos is the fact that both of them involved the use of a PS3 as the media player. Currently, Cinavia watermark detection is mandated only in the AACS licensing agreement. This means that only players which are licensed by the AACS are required to have this detection routine. An update to the AACS licensing agreement indicated that all players sent to the BDA (Blu-ray Disc Association) for licensing after February 1st, 2012 should have the Cinavia detection routine embedded in the firmware. There is no legal licensing requirement for previously certified players to include Cinavia in firmware updates, but, if the manufacturer wishes to do so, there is nothing to prevent them from doing so.

Note that the licensing requirement doesn't state that all players sold after February 1st, 2012 need to be Cinavia-enabled; it is only those sent for certification after that date. This means that a number of Blu-ray players (older models) will continue to be sold in the market without Cinavia for some months to come. The BDA certification process involves putting each applicant through a rigorous test suite to ensure that all Blu-ray features are properly supported. Since Cinavia is a recently introduced licensing requirement, it is not clear when the Cinavia tests will become part of the BDA certification test suite. We spoke to some industry insiders who stated (on the conditions of anonymity) that it will be at least another 8 - 12 months before the BDA certification test suite starts testing for Cinavia compliance. They also indicated that they fully expect players to be certified in the meanwhile without Cinavia in the firmware.

Cinavia is particularly worrisome for DMAs (Digital Media Adapters) that have also licensed Blu-ray capabilities. Examples of such units include the Popcorn Hour C300 from Syabas, the Dune Smart series from HDI, and players such as the Kaiboer K860i / Asus O!Play BDS-700. Fortunately, all of these units have already obtained BDA certification. However, it will be interesting to see how they tackle the Cinavia issue in the next generation units. DMAs are quite popular because of their ability to play networked media of all types (be it Blu-ray backups in ISO / MKV format or downloaded content). Cinavia throws a spanner in the works for such units. As we demonstrated earlier in this section, audio either gets muted or playback stops completely, depending on the media source.

In the next section, we will present some comments (in the hope that people in the AACS LA and BDA are paying attention), and leave it to them / readers to decide whether Cinavia really helps as an effective DRM measure.

DRM Measures in Blu-rays Analyzing Cinavia
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  • cbgoding - Wednesday, March 21, 2012 - link

    "we can't but help"

    should probably be

    "we can't help but"
  • ludikraut - Wednesday, March 21, 2012 - link

    All of the mentioned issues in the article are why I don't own any BluRay discs and most likely never will. Ironically I own two BluRay players (both given away by Sony for free as part of other purchases), but until it becomes as easy, quick and cheap to use as watching a regular DVD I will never own any BluRay media.

    Even more ironic is that I own a Sony DVD (The Tourist) that refuses to play on my Sony BluRay player. LOL. I assume I could connect the player to the internet to let it update itself, but I refuse to connect anything that I consider to be a standalone device to my home network.

    l8r)
  • SandmanWN - Wednesday, March 21, 2012 - link

    Smells like BS to me. You "say" you won't hook up a bluray player but I can almost guarantee you have other devices like a cable/uverse/dish box on your network that goes out and downloads program data and firmware patches all the time without your knowledge. Managed modem by your ISP, cell phone and tablets on your wifi reaching out and checking for updates from your carrier. All kinds of devices on your network that are standalone.
  • BlueAqua - Wednesday, March 21, 2012 - link

    Physical media and DRM needs to die. I haven't bought any physical media in years now.

    In the last sentence you state that the consumers need to wake up and decide if it's worth it to us, but its really the industry that needs to wake up.
  • Exodite - Wednesday, March 21, 2012 - link

    There's nothing inherently wrong with physical media, indeed it makes a lot of sense for most consumers.

    The only issue is the DRM nightmare, though that isn't really any better on (legally) digitally distributed media.
  • haukionkannel - Wednesday, March 21, 2012 - link

    I think allso so. BD guality is so much better than what you can get downloaded, because it would reguire so much bandwide.

    And the only reason I really hate DVD and BD is that DRM and other stuff that makes it so difficult to watch my disks... "You need bios, upgrade" you need new version of..." and so on...

    I want my 4k movies in so insane high guality that it would be unpractical to send them via internet and without DRM please... and is physical format... what ever that would be.
  • seapeople - Wednesday, March 21, 2012 - link

    I don't understand the dichotomy between the droves of people who jump on and smear every review of a sub-premium monitor on this site (oh my, it's *e*-IPS!!?!?!?!) while an article on Blu-Ray's results in a near universal proclamation of streaming content adoration.

    It just seems to me there should be more of a middle ground between people willing to pay 3x-5x as much for a monitor that looks ever so slightly better and has juuuuust the right colors here and there versus people who don't care if their NetFlix streaming version of Transformers has periodic blocky fadeouts and frequent black crush highlighting the obvious heavy compression artifacts throughout.

    Blu Ray is premium. You buy the 55" premium television, get the 7.1 booming surround sound system set up, buy your favorite popcorn, and pop your beautiful, high-quality Blu-Ray movie in. You don't turn on your cheap, crappy pseudo-HD compression nightmare streaming service just to save 2 minutes and feel smug about it.
  • chaos215bar2 - Wednesday, March 21, 2012 - link

    Actually, you just described why I cringe just about any time I pay for any media. I do pay, most of the time, at least, since I don't really want to watch something I'm not willing to support by paying, but there is literally no convenient, high quality video source available.

    I won't touch Blu-ray for most of the reasons discussed above. All streaming I've tried is terrible, even if it will actually play at "720p". (Netflix and Hulu generally do select the maximum quality. Amazon has a tendency to play at the lowest quality even though my connection has never tested at less than 22 Mb/s.)

    iTunes is fairly good, at least for 720p (I haven't tried 1080p yet), but most of what I watch is TV shows, and I don't really want to pay to own entire seasons that I'll only watch once. (The $0.99 rentals were nice while they lasted, but I'd be happy to pay even a bit more than that.)

    The whole situation is just sad. I'm just waiting, hoping they figure it out eventually like the music industry did (mostly).
  • SlyNine - Wednesday, March 21, 2012 - link

    Screw that man and screw your idea, I want to OWN my collection!
  • jnmfox - Wednesday, March 21, 2012 - link

    Always makes me think of this image:
    http://www.geek.com/wp-content/uploads/2010/02/pir...

    I don't pirate but I correlate this to why I rip all my movies.

    Studios wonder why people want to rip their moves to their HDs, for me this is one of the main reasons. I don't care about the extras (if I did I can always actually put in the disk) I just want to see the movie.

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