New Zeiss 16-35mm f/2.8 and 70-400mm f/4-5.6 G Lenses

SAN DIEGO, Sept. 9, 2008 - Sony is expanding its number of high performance Carl Zeiss and G Series lenses with the addition of the new SAL1635ZA and SAL70400G models.

Vario Sonnar T* 16-35mm f/2.8 ZA Carl Zeiss Series Lens


The SAL1635ZA model is a super wide-angle 16-35mm f/2.8 constant aperture zoom lens, well suited for landscape, snapshot, and indoor photography. It is constructed of 17 lens elements in 13 groups, including an extra-low dispersion (ED) for exceptional clarity and center-to-edge resolution and a super ED glass element for much stronger correction of chromatic aberration or discoloration. It also features three aspherical lens elements that provide greater brightness from center to the edge of the image field. Its Carl Zeiss T* (T star) coating technology provides higher light transmission, and minimizes flare to produce images of luminous clarity, color and sharpness.

The SAL1635ZA lens offers the utmost flexibility in challenging lighting conditions due to its wide f/2.8 constant aperture. Combined with Sony's in-camera SteadyShot Inside image stabilization system, this lens is the only large aperture, full-frame capable, wide-angle zoom lens with the benefit of stabilization in the industry. Smooth, fast, and precise focusing is delivered by Sony's Super Sonic wave Motor (SSM) autofocus drive system. It utilizes a solid-state focus drive motor to provide silent, high-speed response, powerful torque, and fine rotational control - critically important for large wide-aperture lenses.

70-400mm f/4-5.6 G Series Lens


The SAL70400G lens is a 5.7x super telephoto zoom lens and the latest addition to Sony's G-series line of premium lenses. Designed to deliver extremely sharp descriptive performance across its wide focal length range, it is ideally suited for sports, action, and wildlife photography. Constructed of 18 elements in 12 groups, it includes two extra-low dispersion glass lenses for high contrast, sharp details, and exceptional center-to-edge resolution with minimal chromatic aberration. A circular aperture with nine diaphragm blades is utilized to achieve natural, aesthetically pleasing de-focusing effects.

With a minimum focus distance of 1.5m and maximum magnification of 0.27x, the lens delivers best-in-class performance. Like the SAL1635ZA lens, focus drive is provided by its SSM system, which offers the speed and rotational precision often required for telephoto shooting. Additionally, the lens has an internal focusing system for faster autofocusing.

A focus-mode/range switch and three focus-hold buttons have been added to the lens barrel for enhanced operability. For both models, when attached to the flagship α900 camera body, the AF hold buttons can be customized to activate the intelligent preview function.

Price and Availability

The Vario-Sonnar T* 16-35mm f/2.8 ZA and 70-400mm f/4-5.6 G lens will ship in January 2009 for about $1,800 and $1,500, respectively.

A900 Specifications Flagship HVL-F58AM Flash
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  • chiew - Sunday, September 14, 2008 - link

    If all you want is 24mp...

    Nikon's D700 is priced equivalently, doesn't have the 24mp...but it has more ISO range and a pro AF system. I don't see why you're crying.
  • Lord 666 - Friday, September 12, 2008 - link

    More than likely same MP in sensor, but same or better outstanding ISO performance as D3.

    I've never held a Sony DSLR yet, but question the build quality. Additionally, I find it interesting that when other camera companies market their cameras, they almost always exclusively show the pics taken with them, but no cameras inside those pictures as subjects. Sony on the other hand releases pictures "in the wild" of people using the camera almost as models. Check out http://www.dailytech.com/article.aspx?newsid=12902">http://www.dailytech.com/article.aspx?newsid=12902
  • Wesley Fink - Friday, September 12, 2008 - link

    Sony announced the A900 with both studio setups surrounded with 2x3 feet enlargements of images taken with the A900. The brochure for the A900 is around 8x12" and filled with double page photos(12x16 inches). Both studio setups were tethered to huge Bravia HD TVs. The photographers in both settings were shooting, displaying on screen and doing 6.5x zooms to show detail. A large number of A900 cameras were available for us to shoot both scenes.

    In the Sony A900 launch event the emphasis was clearly on images captured with the the A900. As for build quality you should examine an A900 to answer your questions about build quality. Feel and Build Quality certainly appear superb. I also own a D3 and D700 and the Sony A900 belongs in that league IMHO.
  • Lord 666 - Friday, September 12, 2008 - link

    So you have finally come over to the Nikon side with those investments in the D3 and D700? Don't you also have/had a D300?
  • Wesley Fink - Friday, September 12, 2008 - link

    I sold my D300 and all my DX lenses when I went for the D3/D700, and I particularly like the size, capabilities. and value of the D700. I also own other cameras and have some lenses for every system we review since they are needed for testing.

    My main APS-C since the exit of the D300 is the Sony A700 which is the same sensor and LCD as the D300, but obviously not the same electronics/post processing as the Nikon. Sony has continued to improve their post-processing and finally have the option to turn off NR completely in RAW with firmware 4. JPEGs are also further improved in 4. THe A700 is very nice with the in-body IS that works with lenses like the Tamron 18-250mm (or Sony 18-250mm), which is a really terrific lens for when I need small and compact.

    I am also testing a Sony A200 right now, which at less than $500 for camera with body IS and 18-70mm kit lens is looking like a heck of a buy.
  • davidaspart - Friday, September 12, 2008 - link

    "Same Pricey Battery- The same proprietary NP-FM500H battery used in the A700, A350, A300, and A200 is also used in the A900. Great consistency, but you can still only buy it from Sony and you will still pay $55 to $95 for a spare. Sony insists on pimping their battery manufacturing even if their stubborn insistence on a proprietary battery drives some users away in a market where they need to win new users."

    Oh come on!

    Thats like saying someone who buys a Ferrari worries that it takes premium fuel.

    The camera costs $3000!

  • Koing - Friday, September 12, 2008 - link

    Indeed. How much are OEM Canon cameras?

    If you drop $3000 on a camera and $500 on a flash $100 for a battery isn't a big deal...

    The MS is a Sony thing...

    Koing
  • Wesley Fink - Friday, September 12, 2008 - link

    The less than $500 A200 kit uses the same battery as the A900, which is great consistency. Frankly so did the A100, but you could buy generic A100 batteries if you chose for less than $8. When Sony introduced the A700 they added a groove to the center of the battery so A100 batteries would no longer fit and apparently patent4ed the revised design. In fact A100 chargers still work just fine with the new Sony A700/A900/A350/A300/A200 battery.

    Many would definitely stick with the manufacturer's battery, but my complaint is about choice. I can choose which battery with Canon, Nikon, Pentax and Olympus batteries as generic options are readily available. You can not choose another battery with any of the new Sony cameras. Sony is a huge battery maker and they have locked up choice. You are forced to buy the Sony overpriced battery as there are no other choices in the market.

    As an aside Sony STILL will not allow the use of AA batteries in their grips. Many like the versatility of using rechargeable AAs to power their grips instead and other companies include the AA insert or offer it as an option. There is also the issue of flexibility. If you get caught with a dead proprietary battery in the field it is reassuring to know you can continue shooting with AAs that are readily available anywhere - but that is not an option with Sony DSLR cameras.
  • KorruptioN - Friday, September 12, 2008 - link

    I've mentioned this before - the battery incorporates InfoLithium technology which relays exact info in terms of a percentage remaining, instead of a graphic battery meter with five different levels. This feature is fantastic and is worth the money (to me).

    Serious question now, does Nikon's battery in the D300/D700/D3 relay that same percentage info even if you get a generic battery? I know that you have to dive deep into a menu to get that information.
  • Wesley Fink - Friday, September 12, 2008 - link

    The D300/D700 use the same EN-EL3e battery as the D80, which does not provide a percentage. With optional accessories you can add the BL-4(a) high capcity battery to the MB-D10 battery grip and it does indeed report the percentage - at least when charging and on the D3. That battery though is 2500mAh and not the lower capacity 16500mAh of the Sony battery.

    Generics for the EN-EL3e used in the D700 and D300 generally perform the same and there are many with higher capacity and longer life. The EN-EL4(a) used in the D3 and D2x is tougher for finding generic replacements. Some I have seen do work but it is much more a question mark than the 3e and the generics generally don't report percent.

    The Sony NP-FM500H charges just fine to 100% in the old chargers for the A100, but the groove prevents them fitting in any of this generation Sony cameras. The Info-Lithium is useful to me but it is not worth the 700% to 1200% premium to me that Sony charges for the FM500H compared the generics. I appreciate that it is worth it to you, but I would prefer to be able to use some of the 2000mAh batteries I used with the A100.

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